Rudolf Schock's ' "Leise erklingen Glocken vom Campanille" was released on its scheduled release date, February 28, 2023. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Rudolf Schock; Einfach das beste, Vol. 3". In this album, this song's track order is #14. In terms of popularity, Leise erklingen Glocken vom Campanille is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Leise erklingen Glocken vom Campanille by Rudolf Schock having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| Die Lombarden: O Signore, dal tetto natio | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 1 | 8B | 80 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
| Elisabeth - Serenade | Eva Lind | F Major | 2 | 7B | 163 BPM | ||
| Die Zauberflöte, K. 620, Act I: No. 3, Dies Bildnis ist bezaubernd schön | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 90 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
| Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
| Wenn die Glocken hell erklingen | Lys Assia | A Major | 4 | 11B | 118 BPM | ||
| Il Bacio | Jules Massenet, Anna Netrebko | D Major | 2 | 10B | 68 BPM | ||
| La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | D♭ Major | 1 | 3B | 137 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | E Major | 2 | 12B | 91 BPM | ||
| Martha: M'apparì tutt'amor | Friedrich von Flotow, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | ||
| Im Salzkammergut da kann man gut | Wiener Operettenorchester, Chor | C Major | 5 | 8B | 76 BPM | ||
| Catari', Catari' (Core 'ngrato) | Salvatore Cardillo, Jonas Kaufmann, Asher Fisch | E♭ Major | 2 | 5B | 93 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Ernest Blanc, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
| Die Rose erblüht, wenn Sonne sie küßt | Rudolf Schock | G Major | 5 | 9B | 119 BPM | ||
| Deinen Namen, den hab' ich vergessen | René Carol | A Major | 4 | 11B | 118 BPM | ||
| Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
| La regata veneziana: 1. Anzoleta avanti la regata | Gioachino Rossini, Cecilia Bartoli, Charles Spencer | F Major | 2 | 7B | 119 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
| Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
| Der Vogelhändler: Ich bin die Christel von der Post | Carl Zeller, Renate Holm, Frank Fox | E Major | 2 | 12B | 78 BPM | ||
| Rossini: Petite messe solennelle: II. Gloria, 4. Domine Deus (Tenor). Allegro giusto | Gioachino Rossini, Antonio Pappano | F Major | 1 | 7B | 81 BPM |