Anni Rossi's 'Venice' had a release date set for October 20, 2008. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 6 in Afton by Anni Rossi. In terms of popularity, Venice is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Venice by Anni Rossi is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Polaroid Song | Allo Darlin' | B♭ Major | 6 | 6B | 184 BPM | ||
| Daphne | Lia Ices, Justin Vernon | E♭ Major | 3 | 5B | 126 BPM | ||
| Daydreaming | Dark Dark Dark | E♭ Major | 3 | 5B | 140 BPM | ||
| Little Black Numbers - Remastered | Kathryn Williams | A Minor | 2 | 8A | 86 BPM | ||
| Dylan | Emmy The Great | A Minor | 7 | 8A | 126 BPM | ||
| Symphony 10: Could This Really Be the End? | Emily Wells | C Major | 6 | 8B | 156 BPM | ||
| Oh No | Lavender Diamond | G Major | 6 | 9B | 146 BPM | ||
| Tropical Ice-land | The Fiery Furnaces | D♭ Minor | 9 | 12A | 140 BPM | ||
| Love That's Gone | La Sera | A Major | 6 | 11B | 138 BPM | ||
| Let Me Back In | Rilo Kiley | A Major | 3 | 11B | 120 BPM | ||
| For the Rabbits | Caitlin Rose | D Major | 4 | 10B | 178 BPM | ||
| Wheelpusher | Anni Rossi | E Major | 3 | 12B | 155 BPM | ||
| "Come On Petunia" | The Blow | F♯ Major | 6 | 2B | 110 BPM | ||
| Bells | Mina Tindle | D♭ Minor | 6 | 12A | 170 BPM | ||
| Too Beautiful To Work | The Luyas | C Major | 8 | 8B | 101 BPM | ||
| No One's Gonna Know | Tristen | B Minor | 8 | 10A | 132 BPM | ||
| RODILLAS | Niña Chilena | B Major | 6 | 1B | 100 BPM | ||
| Las Vegas | Anni Rossi | F Minor | 2 | 4A | 161 BPM | ||
| Go Ahead | Rilo Kiley | D Major | 1 | 10B | 78 BPM | ||
| Texan Planes | Anni Rossi | C Minor | 4 | 5A | 166 BPM | ||
| Spirited | Laura Gibson | E♭ Major | 5 | 5B | 125 BPM | ||
| Here Before | Headless Heroes | A♭ Minor | 4 | 1A | 117 BPM | ||
| Better Than We Could Have Been | Quiet Marauder, Malcolm Del Monte, Kadesha Drija, My Name Is Ian, Mathias Kom | D♭ Major | 4 | 3B | 131 BPM | ||
| Fascinations Part Ii | Gwendolyn Ruchmeid | A Major | 3 | 11B | 130 BPM | ||
| Real Live Flesh | Tune-Yards | D Major | 7 | 10B | 118 BPM |