Boris Gardiner's ' "Every Nigger is a Star" was released on its scheduled release date, 1973. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 10 in Every Nigger is a Star by Boris Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Every Nigger is a Star is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Every Nigger is a Star by Boris Gardiner is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mary Jane | Rick James | B Minor | 8 | 10A | 94 BPM | ||
| It's Forever | The Ebonys | D Major | 5 | 10B | 102 BPM | ||
| A House Is Not a Home | Luther Vandross | F Major | 2 | 7B | 106 BPM | ||
| I Love Music | Ahmad Jamal Trio | F Minor | 3 | 4A | 79 BPM | ||
| Come Into Knowledge | RAMP | A Minor | 6 | 8A | 78 BPM | ||
| Alone | Wee | A Minor | 6 | 8A | 123 BPM | ||
| It's Too Late | Otis Redding | G Major | 1 | 9B | 178 BPM | ||
| We've Come A Long Way | Amnesty | F Major | 1 | 7B | 87 BPM | ||
| If I Ever Do Wrong | Trama | A Major | 4 | 11B | 91 BPM | ||
| Tumbling Down | Langston & French | E♭ Major | 6 | 5B | 167 BPM | ||
| All I Need | Lee Fields & The Expressions, Lee Fields | G Minor | 8 | 6A | 115 BPM | ||
| Take Me Back | The Ponderosa Twins Plus One | C Major | 5 | 8B | 140 BPM | ||
| Tightrope | Junie Morrison | D Minor | 7 | 7A | 104 BPM | ||
| The Loving Touch | Keith Mansfield | F Major | 2 | 7B | 88 BPM | ||
| He's Come Back | Penny Goodwin | A Minor | 3 | 8A | 106 BPM | ||
| Since You Came in My Life | The New York Community Choir | F Major | 7 | 7B | 117 BPM | ||
| If We Can't Be Lovers (Can't We Be Friends) | John Heartsman | F Major | 3 | 7B | 90 BPM | ||
| Mother's Theme (Mama) - The Mack/Soundtrack Version | Willie Hutch | D Minor | 2 | 7A | 80 BPM | ||
| Because I Love You | Brighter Side of Darkness | C Major | 5 | 8B | 74 BPM | ||
| We're In Love | Reuben Wilson | A Minor | 4 | 8A | 104 BPM | ||
| Let Go, It's Over | Aura | C Major | 5 | 8B | 161 BPM | ||
| Every Time He Comes Around | Minnie Riperton | G Minor | 5 | 6A | 128 BPM | ||
| At the Hotel, Pt. 1 | Eunice Collins | B Minor | 7 | 10A | 87 BPM | ||
| I'd Rather Be with You | Bootsy Collins | D Major | 7 | 10B | 166 BPM | ||
| Late Nights & Heartbreak | Hannah Williams, The Affirmations | C Major | 0 | 8B | 117 BPM |