Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) by Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa Song Details

Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa's 'Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)' had a release date set for January 1, 1979. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Respighi: Ancient Airs and Dances". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) by Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 16%
Loudness: -24.521 dB
Acousticness: 92%
Danceability: 15%
Energy: 10%
Instrumentalness: 79%
Liveness: 69%
Loudness: 59%
Speechiness: 4%
Valence: 21%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No. 1 in D Major: II. Andante	Florence Beatrice Price, Er-Gene Kahng, Ryan Cockerham, The Janacek Philharmonic	B♭ Major	1	6B	79 BPM
Gli uccelli (The Birds), P. 154: V. Il cucu. Allegro	Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio	A Major	1	11B	181 BPM
Symphony No. 1 in E-Flat Major: 3. Andante	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	D Major	0	10B	82 BPM
Gymnopédie No. 1 (Orchestrated by Claude Debussy) - Recorded 1949	Erik Satie, Serge Koussevitzky, Boston Symphony Orchestra	B♭ Minor	2	3A	103 BPM
Variation 2: Poco agitato	Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker	F Major	1	7B	176 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Pelléas et Mélisande, Op. 80, Suite: IV. La mort de Mélisande	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	D Minor	0	7A	82 BPM
Romance, Op. 11	Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult	A♭ Major	1	4B	82 BPM
Dolly Suite, Op. 56 (Orch. Rabaud): II. Mi-a-ou	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Petite suite de concert, Op. 77: II. Demande et reponse	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	G Major	0	9B	90 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major	Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz	D Major	1	10B	81 BPM
Rachmaninov: Symphonic Dances, Op. 45: I. Non allegro	Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra	F♯ Minor	1	11A	128 BPM
Fractured Mind	Orithia	D♭ Major	1	3B	101 BPM
Rachmaninov: Scherzo in D Minor	Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra	D Minor	1	7A	109 BPM
Scènes de ballet, Op. 52: II. Marionnettes	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	D Major	0	10B	69 BPM
Caucasian Sketches: Suite No. 1, Op. 10: IV. Procession of the Sardar	Mikhail Ippolitov-Ivanov, Ukraine National Symphony Orchestra, Arthur Fagen	A Major	1	11B	81 BPM
Dvorák: Legends for Orchestra, Op. 59, No. 6	Antonín Dvořák, San Francisco Symphony, Michael Tilson Thomas	D♭ Major	0	3B	77 BPM
Khovanshchina: Overture (Prelude)	Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev	D♭ Major	0	3B	90 BPM
Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra]	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	A♭ Major	1	4B	102 BPM
Pictures and Tales Suite: IV. Sleep, Baby, Sleep	Karl Weigl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Jurgen Bruns	B Major	0	1B	119 BPM
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko'	Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint	F Major	0	7B	65 BPM
Sinfonietta, FP 141: IV. Finale	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	B♭ Major	1	6B	79 BPM
Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance	Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa	B♭ Major	1	6B	97 BPM
Schwanenlied	Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli	G Minor	1	6A	143 BPM
Harp Concerto in E-Flat Major, Op. 74: I. Allegro moderato	Reinhold Glière, Xavier De Maistre, Nathalie Stutzmann, WDR Sinfonieorchester	E Minor	0	9A	103 BPM