You Me At Six's 'The Consequence' had a release date set for January 1, 2010. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in You Me At Six's "Hold Me Down" album is number 1 out of 12. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Consequence is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Consequence by You Me At Six to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stay With Me | You Me At Six | D Minor | 8 | 7A | 142 BPM | ||
| Hiding With Boys | Creeper | E♭ Major | 9 | 5B | 130 BPM | ||
| Technology | DON BROCO | B♭ Minor | 7 | 3A | 117 BPM | ||
| Who Needs Revenge When I’ve Got Ellen Rae | You Me At Six | B Minor | 9 | 10A | 152 BPM | ||
| The Best Is yet to Come | Kids In Glass Houses | D Major | 10 | 10B | 160 BPM | ||
| Nelson's County | Deaf Havana | B♭ Minor | 10 | 3A | 84 BPM | ||
| Lost & Found | Feeder | F♯ Minor | 8 | 11A | 143 BPM | ||
| The One | We Are Harlot | E Minor | 9 | 9A | 105 BPM | ||
| Younger | letlive. | B Minor | 10 | 10A | 144 BPM | ||
| Synthetic Sympathy | Trash Boat | D♭ Major | 9 | 3B | 135 BPM | ||
| Anaesthetist | Enter Shikari | G Major | 9 | 9B | 108 BPM | ||
| Start the Party | The Blackout | C Major | 10 | 8B | 137 BPM | ||
| Don't Pull Up | Mouth Culture | C Major | 8 | 8B | 126 BPM | ||
| There Tonight | Every Avenue | E♭ Major | 8 | 5B | 142 BPM | ||
| Who You Are Not | letlive. | F Minor | 8 | 4A | 88 BPM | ||
| I JUST WANNA KNOW WHAT HAPPENS WHEN I'M DEAD | Hot Milk | D♭ Minor | 9 | 12A | 182 BPM | ||
| Steve McQueen | The Automatic | B Major | 10 | 1B | 138 BPM | ||
| Time Is Money | You Me At Six, Winston McCall | F Minor | 8 | 4A | 176 BPM | ||
| Wrapped in Rainbows | Canterbury | D♭ Minor | 9 | 12A | 172 BPM | ||
| We Are Gonna Live | The XCERTS | E Major | 9 | 12B | 85 BPM | ||
| One Of THOSE Nights | The Cab | A♭ Minor | 9 | 1A | 106 BPM | ||
| Walk Away | Funeral For A Friend | C Major | 8 | 8B | 110 BPM | ||
| Small Talk | Saving Aimee | B Major | 10 | 1B | 184 BPM | ||
| Saturday Superhouse | Biffy Clyro | F♯ Minor | 9 | 11A | 171 BPM | ||
| Children Of The Night | The Blackout | D♭ Minor | 9 | 12A | 104 BPM |