"Rock Fight" by Emile Mosseri had its release date on June 7, 2019. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Last Black Man in San Francisco (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Rock Fight's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Rock Fight by Emile Mosseri having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Exodus | Krakow Philharmonic Chorus | F♯ Major | 1 | 2B | 124 BPM | ||
| Partita for 8 Singers: 3. Courante | Caroline Shaw, Roomful of Teeth, Brad Wells | G Major | 2 | 9B | 74 BPM | ||
| Aliens with Extraordinary Abilities: Torched and Wrecked | David Skidmore, Third Coast Percussion | F Minor | 8 | 4A | 155 BPM | ||
| Hibi no Awa / 日々の泡 | Yasuaki Shimizu & Saxophonettes | C Minor | 4 | 5A | 104 BPM | ||
| Klass | Tom Ashbrook | F♯ Major | 2 | 2B | 173 BPM | ||
| Voiles | Mathieu Pelletier-Gagnon, Flore Laurentienne | E Major | 3 | 12B | 74 BPM | ||
| apathy | Gia Margaret | C Major | 1 | 8B | 79 BPM | ||
| The House on a Stage | Evgueni Galperine, Sacha Galperine | A♭ Minor | 0 | 1A | 111 BPM | ||
| Fall Loop | Joe Pera Talks With You, Holland Patent Public Library | D Major | 0 | 10B | 93 BPM | ||
| Leaving Eden | Stephen Rennicks | B♭ Minor | 0 | 3A | 68 BPM | ||
| La Jeune Fille en Feu (Bande originale du film) | Para One, Arthur Simonini | C Major | 1 | 8B | 150 BPM | ||
| Walls | Bryce Dessner | F Minor | 1 | 4A | 88 BPM | ||
| Daft Punk Medley | Chilly Gonzales | D Minor | 0 | 7A | 109 BPM | ||
| Amaya's Theme - Version 1 | Ben Salisbury | E♭ Major | 0 | 5B | 137 BPM | ||
| Plan & Elevation: IV. The Orangery | Caroline Shaw, Attacca Quartet | A Major | 1 | 11B | 117 BPM | ||
| Opening Vox | Stephen Rennicks | E♭ Major | 2 | 5B | 88 BPM | ||
| Entering Devs / The Machine | Ben Salisbury, Geoff Barrow | D Major | 0 | 10B | 169 BPM | ||
| Who's Taking Care of Jesse? | Bryce Dessner, Aaron Dessner, Feist | F Major | 1 | 7B | 63 BPM | ||
| Be Funny When You Can | Bryce Dessner, Aaron Dessner | F Major | 0 | 7B | 66 BPM | ||
| You're Not Better Than Us (Demo) | Emile Mosseri | A♭ Minor | 0 | 1A | 138 BPM | ||
| Movement 6 | Floating Points, Pharoah Sanders, London Symphony Orchestra | C Minor | 3 | 5A | 89 BPM | ||
| Hunting | Alexis Grapsas, Philip Klein | D Major | 1 | 10B | 91 BPM | ||
| Doubting Thomases on Segways (Demo) | Emile Mosseri | F Major | 3 | 7B | 96 BPM | ||
| Go Home | h hunt | C Major | 0 | 8B | 81 BPM | ||
| The Orphan | Bryce Dessner, Aaron Dessner | F Major | 0 | 7B | 69 BPM |