Les Paul, Mary Ford's 'Lies' had a release date set for April 4, 1955. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Lies's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Les Paul, Mary Ford's "Les & Mary" album is number 5 out of 16. In terms of popularity, Lies is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lies by Les Paul, Mary Ford to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lawdy Miss Clawdy | Larry Williams | B♭ Major | 5 | 6B | 98 BPM | ||
| Bad, Bad Whiskey | Amos Milburn | G Major | 2 | 9B | 115 BPM | ||
| Looking at You | Lee Wiley | E Major | 3 | 12B | 102 BPM | ||
| San-Ho-Zay | Freddie King | G Minor | 9 | 6A | 138 BPM | ||
| Walkin' And Whistlin' Blues | Les Paul, Mary Ford | C Major | 2 | 8B | 85 BPM | ||
| Washington Blues | Elizabeth Cotten | B♭ Major | 2 | 6B | 156 BPM | ||
| Hearts Of Stone | The Charms | A Minor | 5 | 8A | 133 BPM | ||
| Tangerine | Herb Alpert & The Tijuana Brass | C Major | 2 | 8B | 203 BPM | ||
| Loose Lips | Percy Mayfield | D Minor | 6 | 7A | 143 BPM | ||
| Wabash Blues | Les Paul, Mary Ford | E Major | 2 | 12B | 97 BPM | ||
| Steel Guitar Rag | Les Paul & His Trio | E Major | 3 | 12B | 109 BPM | ||
| Born to Be With You | The Chordettes | G Major | 3 | 9B | 131 BPM | ||
| Sweet Jazz Music | Jelly Roll Morton | B♭ Major | 2 | 6B | 86 BPM | ||
| Death Letter Blues | Geoff & Maria Muldaur | G Major | 3 | 9B | 110 BPM | ||
| Nuevo Laredo | Les Paul, Mary Ford | F Major | 3 | 7B | 122 BPM | ||
| Jeep's Blues | Johnny Hodges & His Orchestra | B♭ Major | 2 | 6B | 83 BPM | ||
| I Hadn't Anyone Till You | Mose Allison | E Major | 3 | 12B | 102 BPM | ||
| Jumpin Jive | Cab Calloway & His Orchestra | E Major | 3 | 12B | 102 BPM | ||
| Rose Room | Charlie Christian | A♭ Major | 3 | 4B | 146 BPM | ||
| Old Devil Moon | Chet Baker | G Minor | 2 | 6A | 80 BPM | ||
| Totem Pole Dance | Speedy West | F Minor | 5 | 4A | 78 BPM | ||
| Blues Stay Away from Me | Mary Ford, Les Paul | A Major | 2 | 11B | 87 BPM | ||
| Cry Baby Cry | Ramsey Lewis | C Major | 5 | 8B | 81 BPM | ||
| On The Sunny Side Of The Street | Nat King Cole Trio | E Major | 3 | 12B | 102 BPM | ||
| I Got Loaded | Peppermint Harris | F Major | 2 | 7B | 143 BPM |