"Round Midnight" by Ran Blake had its release date on December 31, 1992. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 8 out of 17 in Epistrophy by Ran Blake. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Round Midnight is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Round Midnight by Ran Blake is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Sunny Gets Blue | Sara Serpa, Ran Blake | D Major | 1 | 10B | 117 BPM | ||
| Word for Word | Joel Ross | E♭ Major | 4 | 5B | 133 BPM | ||
| Praise To You, Lord Jesus Christ | Joel Ross | E♭ Major | 4 | 5B | 133 BPM | ||
| Desafinado & One Note Samba | Ran Blake, Jeanne Lee | G Minor | 1 | 6A | 69 BPM | ||
| Telephone | The Overtowns | G Major | 1 | 9B | 62 BPM | ||
| Crescent | Alice Coltrane | C Minor | 2 | 5A | 88 BPM | ||
| In The Mornings Out There | Jimmy Giuffre, Paul Bley, Steve Swallow | C Minor | 0 | 5A | 58 BPM | ||
| Filia | Human Being Human, Chris Cheek | G Minor | 1 | 6A | 109 BPM | ||
| Shadows of the Clouds | Justin Joyce | A Minor | 1 | 8A | 63 BPM | ||
| O Que Sera | Antonio Faraò | E♭ Major | 4 | 5B | 133 BPM | ||
| Harlequin | John Lewis | C Minor | 2 | 5A | 111 BPM | ||
| Almost Like Being in Love | Jared Sims, Ran Blake | G Major | 1 | 9B | 92 BPM | ||
| Morning Brews | Breakfast Jazz | C Major | 0 | 8B | 80 BPM | ||
| Bygone | Arild Andersen, Tommy Smith, Paolo Vinaccia | G Major | 0 | 9B | 124 BPM | ||
| Protecting Strangers, Losing You | Jazz & Co. | F Minor | 1 | 4A | 71 BPM | ||
| Wild Bird | John Surman, Karin Krog, Terje Rypdal, Vigleik Storaas | B♭ Major | 2 | 6B | 129 BPM | ||
| LEFT ME CRYIN' | Noé Huchard | F Minor | 2 | 4A | 87 BPM | ||
| Pavilion Circle | Timeless Sepia Melodies | C Major | 0 | 8B | 121 BPM | ||
| Tranquil | Mete Erker, Floris Kappeyne, Tijs Klaassen, Wouter Kühne | A♭ Major | 1 | 4B | 77 BPM | ||
| It's Alright, Ma (I'm Only Bleeding) | Dominique Eade, Ran Blake | E Minor | 1 | 9A | 133 BPM | ||
| The Wind Hums in B Flat | Vivandis | B♭ Major | 2 | 6B | 80 BPM | ||
| Slow Street | Lena Vibes | C Minor | 0 | 5A | 79 BPM | ||
| 忘憂散步道 | 散步貓 | C Major | 3 | 8B | 92 BPM | ||
| El Trato | gamma | A Minor | 4 | 8A | 110 BPM | ||
| Prayers | Fred Nardin | D♭ Major | 1 | 3B | 76 BPM |