Pujya Bhaishree Rameshbhai Ojha's ' "Krishna Hai Krishna Hai" was released on its scheduled release date, September 12, 2014. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Pujya Bhaishree Rameshbhai Ojha's "Mithe Rasse Bharyo" album is number 7 out of 7. On top of that, United States appears to be the country where this track was created. Based on our statistics, Krishna Hai Krishna Hai's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Krishna Hai Krishna Hai by Pujya Bhaishree Rameshbhai Ojha to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Mere Bhole Baba Ko Anadi Mat | Manish Tiwari | F♯ Major | 4 | 2B | 88 BPM | ||
| Hare Venkata | Puttur Narasimha Nayak | A♭ Major | 6 | 4B | 94 BPM | ||
| Melodious Hare Krishna | Shivram Dasa | G Major | 5 | 9B | 105 BPM | ||
| Sundari Radhe | Pramita Mallick, Swapan Saha, Indira Banerjee, Sreenanda Mukhopadhyay | F♯ Major | 5 | 2B | 111 BPM | ||
| Sumanasa Vandita Sundari Madhavi - Telugu | Manju Devi | B♭ Major | 4 | 6B | 137 BPM | ||
| Hanuman Ji Ki Aarti | Pujya Bhaishree Rameshbhai Ojha | F Major | 7 | 7B | 94 BPM | ||
| Govind Mero Hai Gopal Mero Hai | Pujya Bhaishree Rameshbhai Ojha | D♭ Major | 8 | 3B | 110 BPM | ||
| Banirupe Rohiacho | Narendrapur University Artist, Atanu Sanyal | D Major | 7 | 10B | 99 BPM | ||
| Krishna Govind Gopal | Anil Hanslas | F Major | 6 | 7B | 146 BPM | ||
| Bhimrupi Maharudra Stotra | Sameer Vijaykumar | D♭ Major | 4 | 3B | 163 BPM | ||
| Hare Krishna 3 - Original | Debjit, Bitu Samajpati, NA | B Minor | 8 | 10A | 136 BPM | ||
| Prabhu Tara Sharnoman | Pujya Bhaishree Rameshbhai Ojha | A♭ Minor | 6 | 1A | 147 BPM | ||
| Jaago Alasashayanabilagna | Hemanta Mukhopadhyay | F♯ Major | 3 | 2B | 149 BPM | ||
| Sri Durga Apadhudara Stotram | Puttur Narasimha Nayak, K M Kusuma | C Major | 5 | 8B | 135 BPM | ||
| Guru Bramha (Shlok) | Pandit Bhimsen Joshi | F♯ Major | 2 | 2B | 133 BPM | ||
| Hore Krishno | Roompa Roy, Pradyot Dey Sarkar | D♭ Major | 4 | 3B | 170 BPM | ||
| Jaau De Re Mala Mathurela | Godavaribai Munde, Rameshbua Shengaonkar, Kashiram Bua | D♭ Major | 7 | 3B | 92 BPM | ||
| Prayers to the Dust of Vraja, Pt. 3 | Aindra dasa | D Major | 5 | 10B | 186 BPM | ||
| Shree Shiv Manas Pooja | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 4 | 5B | 141 BPM | ||
| Raghu Vamsha Deepa | Vidyabhushana, H. L. Sheshachandra | D♭ Major | 6 | 3B | 144 BPM | ||
| Naag Shanti Stotram | Mangesh Borgaonkar | G Major | 7 | 9B | 96 BPM | ||
| Radhe Krishna Ki Jyoti | Soumya Pandey | A♭ Major | 5 | 4B | 184 BPM | ||
| Jata Pandharin | Bhimsen Joshi | B♭ Major | 5 | 6B | 148 BPM | ||
| Chala Pahu Re Sohala Pandharicha | Manish Rajgire | C Major | 3 | 8B | 82 BPM |