Gone West's ' "What Could've Been" was released on its scheduled release date, June 12, 2020. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 13 in Canyons by Gone West. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, What Could've Been's popularity is average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of What Could've Been by Gone West is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ridin’ Roads | Dustin Lynch | A Major | 8 | 11B | 142 BPM | ||
| If I Were You | Smithfield | B♭ Major | 7 | 6B | 133 BPM | ||
| Man Enough Now - Radio Edit | Chris Bandi | D Major | 6 | 10B | 156 BPM | ||
| Forever | Drew Jacobs | A♭ Major | 8 | 4B | 144 BPM | ||
| Everything I Love | Temecula Road | A♭ Major | 8 | 4B | 100 BPM | ||
| Number in My Phone | Brandon Ratcliff | D Major | 8 | 10B | 90 BPM | ||
| Blessed | Thomas Rhett | G Major | 5 | 9B | 175 BPM | ||
| Dance with Me (feat. Kelsea Ballerini) | Morgan Evans, Kelsea Ballerini | D♭ Major | 5 | 3B | 148 BPM | ||
| i don't lovE you | Lindsay Ell | F♯ Major | 5 | 2B | 120 BPM | ||
| Lose You | Jordan Davis | F♯ Major | 6 | 2B | 95 BPM | ||
| She Can | Leaving Austin | G Major | 8 | 9B | 80 BPM | ||
| Chasin' Me | Caroline Jones | F Major | 7 | 7B | 108 BPM | ||
| You Don't Get To | Kenny Chesney | F Major | 5 | 7B | 74 BPM | ||
| Drinkin' to Do | Ryan Griffin | F Major | 3 | 7B | 146 BPM | ||
| Like I Miss You | Waterloo Revival | E Major | 6 | 12B | 98 BPM | ||
| Take Me Home (with Kane Brown) | Restless Road, Kane Brown | A Minor | 8 | 8A | 176 BPM | ||
| Like I've Fallen | Justin Lee | A♭ Major | 9 | 4B | 154 BPM | ||
| Here Tonight | Brett Young | B Major | 8 | 1B | 96 BPM | ||
| Good Enough | Jana Kramer | F Major | 5 | 7B | 104 BPM | ||
| Take It Or Leave It | Tyler Rich | C Major | 7 | 8B | 154 BPM | ||
| Saving For A Rainy Night | Walker Montgomery | G Minor | 6 | 6A | 125 BPM | ||
| Better Off | Renee Blair | A Minor | 5 | 8A | 110 BPM | ||
| Don't Let Her | Walker Hayes | E Major | 6 | 12B | 88 BPM | ||
| Don’t Wanna Write This Song | Brett Young | D Major | 5 | 10B | 150 BPM | ||
| Be Alright | Parmalee | A♭ Major | 8 | 4B | 100 BPM |