"Our Town, Act III: "Seen Enough?"" by Ned Rorem, Matthew DiBattista, Margot Rood, Gil Rose had its release date on June 9, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 29 in the song's album "Ned Rorem: Our Town". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Our Town, Act III: "Seen Enough?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Our Town, Act III: "Seen Enough?" by Ned Rorem, Matthew DiBattista, Margot Rood, Gil Rose having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | E Minor | 1 | 9A | 64 BPM | ||
| Chansons pour les oiseaux: No. 2, Le petit pigeon bleu | Louis Beydts, Julie Roset, Susan Manoff | E Minor | 1 | 9A | 64 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Hannikainen : Five Piano Pieces Op.20 : I Syyssateita [Autumn Rain] | Ilmari Hannikainen, Izumi Tateno | E Minor | 0 | 9A | 89 BPM | ||
| Agnus Dei, "In memoriam Oleg Kagan": I. Agnus Dei (Larghetto) | Tigran Mansurian, Roeland Hendrikx Ensemble | E Minor | 1 | 9A | 64 BPM | ||
| Deux novellettes, FP 47: 1. C major - Modéré sans lenteur | Francis Poulenc, Pascal Rogé | A Minor | 0 | 8A | 70 BPM | ||
| Tempus fugit: III. Part 3 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 92 BPM | ||
| Blumenleben, Op. 19: No. 7, Lilien | Dora Pejačević, Natasa Veljkovic | C Major | 3 | 8B | 80 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Romeo and Juliet, Op. 64, Act I: No. 1, Introduction | Sergei Prokofiev, Los Angeles Philharmonic, Gustavo Dudamel | E Minor | 1 | 9A | 64 BPM | ||
| Divertimento for Strings, BB 118 (Sz.113): II. Molto adagio | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| Szymanowski: Love Songs of Hafiz, Op. 26: No. 4, Pearls of My Soul | Karol Szymanowski, Sir Simon Rattle, Katarina Karnéus, City Of Birmingham Symphony Orchestra | B Major | 0 | 1B | 58 BPM | ||
| 5 Stücke im Volkston, Op. 102 (Arr. for Oboe & Piano by Stephan Korody-Kreutzer): No. 2, Langsam | Robert Schumann, Nicholas Daniel, Julius Drake | F Major | 0 | 7B | 65 BPM | ||
| Ma Mère, L'oye (Piano 4 Hands): 4. Les Entretiens De La Belle Et La Bête - Duo-Art 7189 | Maurice Ravel, Walter Damrosch, Polly Damrosch, Peter Phillips | E Minor | 1 | 9A | 64 BPM | ||
| Trumpet Concerto in A-Flat Major: Meno mosso | Alexander Arutiunian, Selina Ott, Vienna Radio Symphony Orchestra, Roberto Paternostro | D♭ Minor | 0 | 12A | 112 BPM | ||
| Chaconne in D Minor | Johann Sebastian Bach, Xavi de la Fuente | E Minor | 1 | 9A | 64 BPM | ||
| 7 Morceaux de salon, Op. 10: No. 1, Nocturne | Sergei Rachmaninoff, Boris Giltburg | E Minor | 1 | 9A | 64 BPM | ||
| Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 94 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| 18 Miniatures for Violin and Piano: No. 4, Grazioso (Arr. Julian Milkis) | Giya Kancheli, Polina Osetinskaya, Julian Milkis | C Major | 0 | 8B | 70 BPM | ||
| String Octet in C Major, Op. 7 (Version for String Orchestra): Même temps | George Enescu, Tabea Zimmermann, Ensemble Resonanz | B Major | 0 | 1B | 72 BPM |