"O Último Adeus" by Rodrigo Leão had its release date on 2004. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 19 in CINEMA 20 Anos by Rodrigo Leão. Going off of the ISRC code of this track, we detected that the origin of this track is from Portugal. O Último Adeus is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of O Último Adeus by Rodrigo Leão is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Often A Bird | Wim Mertens | D Major | 1 | 10B | 154 BPM | ||
| Cosquillas a un Mimo | Ara Malikian | D Minor | 7 | 7A | 88 BPM | ||
| La retirada | Tango Negro Trio | D Major | 3 | 10B | 100 BPM | ||
| Mano A Mano | Hugo Díaz | A Minor | 3 | 8A | 102 BPM | ||
| O Engraxador | Luísa Sobral | A Major | 3 | 11B | 105 BPM | ||
| Con Toda Palabra | Las Migas | A Minor | 2 | 8A | 92 BPM | ||
| Amar: Jerusalem | Armand Amar, The City of Prague Philharmonic Orchestra | F Minor | 2 | 4A | 91 BPM | ||
| Tropical | Ana Carla Maza | A Minor | 4 | 8A | 139 BPM | ||
| Clandestino | Deolinda | G Major | 2 | 9B | 182 BPM | ||
| Semilla Negra | Marlango | F Minor | 2 | 4A | 100 BPM | ||
| Verdes Anos & Summertime | Marta Pereira da Costa, Iván Melon Lewis | D Major | 3 | 10B | 113 BPM | ||
| Desamor | Lina | E Minor | 5 | 9A | 140 BPM | ||
| Jacarandá | Pedro Jóia | G Major | 5 | 9B | 120 BPM | ||
| L'Amor | Arianna Savall | F Major | 1 | 7B | 123 BPM | ||
| Bolero do coronel sensível que fez amor em Monsanto | Vitorino | F Minor | 3 | 4A | 107 BPM | ||
| El Abrazo | Matthieu Saglio, Léo Ullmann, Camille Saglio | A Minor | 2 | 8A | 128 BPM | ||
| Saiu Para A Rua | Luísa Sobral | G Major | 6 | 9B | 170 BPM | ||
| The Beggar & the Thief | Piers Faccini | C Minor | 3 | 5A | 80 BPM | ||
| Tango To Evora | Loreena McKennitt | E Minor | 4 | 9A | 119 BPM | ||
| Aurora Em Lisboa | Dead Combo | D Minor | 3 | 7A | 88 BPM | ||
| Tell Her Today | Tom Baxter | A Minor | 7 | 8A | 120 BPM | ||
| A Menina Dança #1 | Dead Combo | F♯ Major | 2 | 2B | 110 BPM | ||
| Jardim do Amor | Mia Doi Todd | D Minor | 6 | 7A | 96 BPM | ||
| Lost in Your Skies | Pietro Roffi | A Minor | 2 | 8A | 92 BPM | ||
| Guitarra | Madredeus | G Major | 3 | 9B | 97 BPM |