- BPM
- 71
- Key
- E♭ Major
- Camelot
- 5B
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Finché si compia il rito (Nearco/Un Christiano/Paolina) by Gaetano Donizetti, Salvatore Cammarano, Piero de Palma, Virgilio Carbonari, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan Song Details
Gaetano Donizetti, Salvatore Cammarano, Piero de Palma, Virgilio Carbonari, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan's 'Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Finché si compia il rito (Nearco/Un Christiano/Paolina)' had a release date set for August 1, 1997. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 38 in Donizetti: Poliuto by Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Antonino Votto, Coro e Orchestra del Teatro alla Scala, Milano, Franco Corelli, Ettore Bastianini, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Finché si compia il rito (Nearco/Un Christiano/Paolina) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Finché si compia il rito (Nearco/Un Christiano/Paolina) by Gaetano Donizetti, Salvatore Cammarano, Piero de Palma, Virgilio Carbonari, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.712 dB
- Acousticness
- 99%
- Danceability
- 43%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 70%
- Speechiness
- 7%
- Valence
- 27%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Gounod: Faust, Act 3: "Quel trouble inconnu me pénètre !" - Cavatine. "Salut ! Demeure chaste et pure" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Giuseppe Di Stefano, Hilde Gueden, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | F Minor | 1 | 4A | 125 BPM | |
 | Core 'ngrato | Mario del Monaco | E♭ Major | 4 | 5B | 135 BPM | |
 | The Golden Cockerel: Hymn to the Sun | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 70 BPM | |
 | La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | |
 | La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | |
 | Don Giovanni, K.527, Act I Scene 14: Dalla sua pace | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | |
 | Faust, CG 4, Act III: Quel trouble inconnu – Salut, demeure chaste et pure | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | |
 | La Damnation de Faust, Part III, Scène 1: "Merci, doux crépuscule!" | Hector Berlioz, Jonas Kaufmann, Bavarian State Orchestra, Bertrand de Billy | F Major | 0 | 7B | 82 BPM | |
 | Don Pasquale, Act III Prima Scena: I diamanti, presto, presto (Coro/Pasquale) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | D Major | 5 | 10B | 148 BPM | |
 | Delibes: Lakmé, Act 2: Aria delle campanelle. "Dov'è l'indiana bruna?" (Lakmé) | Léo Delibes, Maria Callas, Tullio Serafin, Philharmonia Orchestra | E Minor | 1 | 9A | 173 BPM | |
 | Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | |
 | Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | |
 | La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 83 BPM | |
 | Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | |
| Lucia di Lammermoor / Act 2: "Appressati, Lucia" - "Il pallor funesto, orrendo" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | |
| Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | |
 | Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 5 | 8B | 107 BPM | |
 | Boito: Mefistofele, Prologue: "Ave, Signor degli angeli e dei santi" (Coro) | Arrigo Boito, Julius Rudel, Ambrosian Opera Chorus, London Symphony Orchestra | E Major | 1 | 12B | 86 BPM | |
 | Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | F♯ Major | 5 | 2B | 86 BPM | |
 | Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | |
| Il Barbiere di Siviglia: Ah! qual colpo inaspettato! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 106 BPM | |
| Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |
- ISRC
- GBAYC9704440
- Label
- L-M Records/RCA Records