Forever And Ever For Hyperviolin And Chamber Orchestra - Ii Calm
Tod Machover
Machover: Hyperstring Trilogy
4:31 April 4, 2006
BPM
139
Key
C Major
Camelot
8B

Embed

Share Link

Forever And Ever For Hyperviolin And Chamber Orchestra - Ii Calm by Tod Machover Song Details

Tod Machover's 'Forever And Ever For Hyperviolin And Chamber Orchestra - Ii Calm' had a release date set for April 4, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tod Machover's "Machover: Hyperstring Trilogy" album is number 19 out of 21. On top of that, United States appears to be the country where this track was created. Based on our statistics, Forever And Ever For Hyperviolin And Chamber Orchestra - Ii Calm's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Forever And Ever For Hyperviolin And Chamber Orchestra - Ii Calm by Tod Machover to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-24.086 dB
Acousticness
76%
Danceability
20%
Energy
11%
Instrumentalness
86%
Liveness
64%
Loudness
60%
Speechiness
4%
Valence
22%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Il Salvatore Sorgera tra la Folla. by Marina FrescobaldiIl Salvatore Sorgera tra la Folla.Marina FrescobaldiB Major11B81 BPM
Where is Jack by Natalia LeviWhere is JackNatalia LeviC Major18B136 BPM
From Ruins To Rise by Busta DogoFrom Ruins To RiseBusta DogoF Minor44A92 BPM
Waves of Emotion by leo brisaWaves of Emotionleo brisaB Minor310A90 BPM
Weinen, Klagen, Sorgen, Zagen by Paul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der FeenWeinen, Klagen, Sorgen, ZagenPaul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der FeenF♯ Major12B105 BPM
Pulsation Fantome by SolynPulsation FantomeSolynF Minor14A101 BPM
Akhnaten: Act III, Scene 4: Epilogue by Philip Glass, Dennis Russell DaviesAkhnaten: Act III, Scene 4: EpiloguePhilip Glass, Dennis Russell DaviesF Major17B72 BPM
Growing The Grass by David IznaGrowing The GrassDavid IznaF♯ Major12B105 BPM
Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice by Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven MercurioVoices of Light: II. Victory at Orleans (Letter from Joan of Arc) - VoiceRichard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven MercurioD Minor07A84 BPM
Proverb by Steve Reich, Theatre Of Voices, The Steve Reich Ensemble, Paul HillierProverbSteve Reich, Theatre Of Voices, The Steve Reich Ensemble, Paul HillierB Minor110A140 BPM
Mein Weg by Arvo Pärt, Tallinn Chamber Orchestra, Tõnu KaljusteMein WegArvo Pärt, Tallinn Chamber Orchestra, Tõnu KaljusteB♭ Major06B90 BPM
BLUEBANDZ II by Da SurpressorBLUEBANDZ IIDa SurpressorD♭ Major13B74 BPM
Sono Arrivate le Streghe by Marina FrescobaldiSono Arrivate le StregheMarina FrescobaldiD♭ Major23B35 BPM
Only The Devil Laughed (Sed Diabolus) by Hildegard von Bingen, Richard Souther, Emily Van Evera, Sister Germaine FritzOnly The Devil Laughed (Sed Diabolus)Hildegard von Bingen, Richard Souther, Emily Van Evera, Sister Germaine FritzG Minor06A71 BPM
Maria Mater Dei by Marina FrescobaldiMaria Mater DeiMarina FrescobaldiB♭ Major26B120 BPM
The Past Visions by Nadyia LvovThe Past VisionsNadyia LvovA Minor48A77 BPM
DRIFT IV by RuthlesskidDRIFT IVRuthlesskidF♯ Major12B105 BPM
Akhnaten, Act II Scene 3: The City by Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Zachary JamesAkhnaten, Act II Scene 3: The CityPhilip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Zachary JamesD Major110B117 BPM
Rothko Chapel 2 by Morton FeldmanRothko Chapel 2Morton FeldmanB Minor010A141 BPM
Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do by James MacMillan, Britten Sinfonia, Polyphony, Stephen LaytonSeven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They DoJames MacMillan, Britten Sinfonia, Polyphony, Stephen LaytonB Major21B80 BPM
HOMECHAS 021 by Taram TulaHOMECHAS 021Taram TulaB♭ Minor33A140 BPM
Cantus in Memory of Benjamin Britten for Strings and Bells by Arvo Pärt, Hungarian State Opera Orchestra, Tamás BenedekCantus in Memory of Benjamin Britten for Strings and BellsArvo Pärt, Hungarian State Opera Orchestra, Tamás BenedekA Minor18A83 BPM
Dream by Martien van der KnijffDreamMartien van der KnijffD♭ Major93B106 BPM
Gloria Victis by Corpus DominixGloria VictisCorpus DominixE Major112B80 BPM
The Becoming by Busta DogoThe BecomingBusta DogoF Minor44A92 BPM
ISRC
USDL60600319
Label
L-M Records/RCA Records