Tod Machover's 'Forever And Ever For Hyperviolin And Chamber Orchestra - Ii Calm' had a release date set for April 4, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tod Machover's "Machover: Hyperstring Trilogy" album is number 19 out of 21. On top of that, United States appears to be the country where this track was created. Based on our statistics, Forever And Ever For Hyperviolin And Chamber Orchestra - Ii Calm's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Forever And Ever For Hyperviolin And Chamber Orchestra - Ii Calm by Tod Machover to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il Salvatore Sorgera tra la Folla. | Marina Frescobaldi | B Major | 1 | 1B | 81 BPM | ||
| Where is Jack | Natalia Levi | C Major | 1 | 8B | 136 BPM | ||
| From Ruins To Rise | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| Waves of Emotion | leo brisa | B Minor | 3 | 10A | 90 BPM | ||
| Weinen, Klagen, Sorgen, Zagen | Paul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der Feen | F♯ Major | 1 | 2B | 105 BPM | ||
| Pulsation Fantome | Solyn | F Minor | 1 | 4A | 101 BPM | ||
| Akhnaten: Act III, Scene 4: Epilogue | Philip Glass, Dennis Russell Davies | F Major | 1 | 7B | 72 BPM | ||
| Growing The Grass | David Izna | F♯ Major | 1 | 2B | 105 BPM | ||
| Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice | Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio | D Minor | 0 | 7A | 84 BPM | ||
| Proverb | Steve Reich, Theatre Of Voices, The Steve Reich Ensemble, Paul Hillier | B Minor | 1 | 10A | 140 BPM | ||
| Mein Weg | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | B♭ Major | 0 | 6B | 90 BPM | ||
| BLUEBANDZ II | Da Surpressor | D♭ Major | 1 | 3B | 74 BPM | ||
| Sono Arrivate le Streghe | Marina Frescobaldi | D♭ Major | 2 | 3B | 35 BPM | ||
| Only The Devil Laughed (Sed Diabolus) | Hildegard von Bingen, Richard Souther, Emily Van Evera, Sister Germaine Fritz | G Minor | 0 | 6A | 71 BPM | ||
| Maria Mater Dei | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| The Past Visions | Nadyia Lvov | A Minor | 4 | 8A | 77 BPM | ||
| DRIFT IV | Ruthlesskid | F♯ Major | 1 | 2B | 105 BPM | ||
| Akhnaten, Act II Scene 3: The City | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Zachary James | D Major | 1 | 10B | 117 BPM | ||
| Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | ||
| Seven Last Words from the Cross: I. Father, Forgive Them, for They Know Not What They Do | James MacMillan, Britten Sinfonia, Polyphony, Stephen Layton | B Major | 2 | 1B | 80 BPM | ||
| HOMECHAS 021 | Taram Tula | B♭ Minor | 3 | 3A | 140 BPM | ||
| Cantus in Memory of Benjamin Britten for Strings and Bells | Arvo Pärt, Hungarian State Opera Orchestra, Tamás Benedek | A Minor | 1 | 8A | 83 BPM | ||
| Dream | Martien van der Knijff | D♭ Major | 9 | 3B | 106 BPM | ||
| Gloria Victis | Corpus Dominix | E Major | 1 | 12B | 80 BPM | ||
| The Becoming | Busta Dogo | F Minor | 4 | 4A | 92 BPM |