Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss's 'Die Fledermaus (The Bat), Overture (RV 503-1)' had a release date set for August 14, 2015. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Die Fledermaus (The Bat), Overture (RV 503-1)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 25 Strauss Favorites, so we believe that "Die Fledermaus (The Bat), Overture (RV 503-1)" is a single. In terms of popularity, Die Fledermaus (The Bat), Overture (RV 503-1) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Fledermaus (The Bat), Overture (RV 503-1) by Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Turkish March | Arthur Fiedler | B♭ Major | 3 | 6B | 128 BPM | ||
| Wiener Bonbons (Vienna Bon-Bons), waltz for orchestra, Op. 307 (RV 307) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 182 BPM | ||
| Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Sobre La Olas (Over The Waves) | Juventino Rosas, Andrew Davis | G Major | 1 | 9B | 167 BPM | ||
| Carmen: Habanera - Instrumental | Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 136 BPM | ||
| ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | ||
| Jazz Suite No. 2: IV. Waltz I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
| La gazza ladra: "Overture" | Philharmonia Orchestra, Herbert von Karajan | E Major | 2 | 12B | 107 BPM | ||
| Sobre las Olas | Juventino Rosas, Orquesta Filarmonica de la Ciudad de Mexico, Herrera de la Fuente | G Major | 1 | 9B | 104 BPM | ||
| The Skaters Waltz | The Manhattan Pops | A Major | 3 | 11B | 186 BPM | ||
| Los Amaneceres en Austria | Orquesta Concierto de Viena | B♭ Major | 2 | 6B | 174 BPM | ||
| Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
| Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| Carmen L'amour est un oiseau rebelle - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 98 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Cuentos de Los Bosques de Viena | Orquesta Concierto de Viena | C Major | 2 | 8B | 176 BPM | ||
| Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | B Minor | 1 | 10A | 62 BPM | ||
| Dance of the Hours | Amilcare Ponchielli, National Philharmonic Orchestra, Bruno Bartoletti | E Major | 0 | 12B | 76 BPM | ||
| Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
| Accelerationen Waltz, Op. 234 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 175 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
| Voces de primavera, Op. 410 | Orquesta De Conciertos Vienesa, Alfred Scholz | C Minor | 3 | 5A | 175 BPM |