Max Stalling's ' "Bass Run" was released on its scheduled release date, April 16, 2007. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wide Afternoon by Max Stalling. The song's track number on the album is #4 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Bass Run's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Bass Run by Max Stalling has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bass Run being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| That's How I Got To Memphis | DERYL DODD | F♯ Major | 6 | 2B | 110 BPM | ||
| Dallas After Midnight | Ray Wylie Hubbard | D Major | 3 | 10B | 124 BPM | ||
| Read Between the Lines | Kevin Fowler | E Major | 6 | 12B | 124 BPM | ||
| Never Could | The Great Divide | C Major | 8 | 8B | 111 BPM | ||
| So So Long | The Damn Quails | C Major | 9 | 8B | 116 BPM | ||
| Wear My Ring | Bart Crow | A♭ Major | 7 | 4B | 191 BPM | ||
| My Feet Don't Touch the Ground | Brandon Jenkins | G Major | 5 | 9B | 130 BPM | ||
| Used to Be | The Great Divide | G Major | 8 | 9B | 117 BPM | ||
| Eagle Ford | John Baumann | B Minor | 7 | 10A | 124 BPM | ||
| That's Just Me | Brandon Rhyder | G Major | 7 | 9B | 113 BPM | ||
| Am Country Heaven | Jason Eady | A Major | 2 | 11B | 143 BPM | ||
| Wrapped | Bruce Robison | A Major | 5 | 11B | 112 BPM | ||
| Barlight | Charlie Robison | A Major | 9 | 11B | 149 BPM | ||
| Might Have Been in Austin | Max Stalling | D Major | 5 | 10B | 129 BPM | ||
| Bernadine (feat. Chris Carroll) | Adam Carroll, Chris Carroll | D Major | 3 | 10B | 142 BPM | ||
| Tadpoles & Eagles | Max Stalling | D Major | 6 | 10B | 106 BPM | ||
| Careless | Micky & The Motorcars | D Minor | 8 | 7A | 117 BPM | ||
| Angry All The Time | Bruce Robison | F♯ Major | 4 | 2B | 122 BPM | ||
| Skyview Cabaret | Max Stalling | E Major | 6 | 12B | 119 BPM | ||
| Beautiful Texas Sunshine | Max Stalling | G Major | 6 | 9B | 114 BPM | ||
| I Lost My Mind In Carolina | Jason Eady | D Major | 7 | 10B | 117 BPM | ||
| James' blues | Owen Temple | C Major | 6 | 8B | 189 BPM | ||
| The Housefire | Turnpike Troubadours | G Major | 7 | 9B | 85 BPM | ||
| My Girl | John David Kent | G Major | 9 | 9B | 120 BPM | ||
| Inbetweener | Cody Canada & The Departed | F Major | 8 | 7B | 120 BPM |