Lusine's ' "First Call" was released on its scheduled release date, February 18, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Waiting Room". In this album, this song's track order is #7. In terms of popularity, First Call is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With First Call by Lusine having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wavxxes | Teebs, Lars Horntveth | G Major | 7 | 9B | 128 BPM | ||
| A Paw In My Face | The Field | C Major | 7 | 8B | 129 BPM | ||
| Yr Love | Holy Other | D♭ Major | 5 | 3B | 90 BPM | ||
| Blackpool Late Eighties | James Holden | G Major | 4 | 9B | 113 BPM | ||
| Hold Me - Instrumental | Milosh | A♭ Major | 6 | 4B | 98 BPM | ||
| Rowing to the Riverhead | Ochre | B♭ Minor | 6 | 3A | 127 BPM | ||
| Push | Lusine | B Minor | 8 | 10A | 130 BPM | ||
| Thick Of It | Lusine | A♭ Minor | 6 | 1A | 115 BPM | ||
| Hoarse | Cepia | F Minor | 9 | 4A | 75 BPM | ||
| Maximalist | Baths | F♯ Major | 5 | 2B | 97 BPM | ||
| Perverted Undertone | Prefuse 73 | E Minor | 6 | 9A | 94 BPM | ||
| Orange Ocean | Kodomo | B Major | 5 | 1B | 120 BPM | ||
| Midi Sans Frontieres (Avec Batterie) | Squarepusher | A Major | 6 | 11B | 153 BPM | ||
| Rained the Whole Time - Nicolas Jaar Remix | Shlohmo, Nicolas Jaar | E Minor | 6 | 9A | 168 BPM | ||
| Modern Driveway | Luke Abbott | D♭ Major | 4 | 3B | 128 BPM | ||
| Jarred | Kiasmos | C Minor | 8 | 5A | 120 BPM | ||
| Inakunaru | Kidkanevil, Phasma | A Minor | 7 | 8A | 140 BPM | ||
| Foxglove | Tor | E Minor | 8 | 9A | 112 BPM | ||
| Time Goes | Weval | B♭ Minor | 9 | 3A | 126 BPM | ||
| Thinking Of | Weval | A♭ Minor | 6 | 1A | 120 BPM | ||
| Canopy | Lusine | F Major | 2 | 7B | 84 BPM | ||
| Changes | Pavel Dovgal, Graciela Maria | D♭ Major | 6 | 3B | 116 BPM | ||
| Hasty Boom Alert | µ-Ziq | A Major | 9 | 11B | 94 BPM | ||
| Harmonics, Pt. 1 | Kidkanevil, Daisuke Tanabe | B♭ Major | 6 | 6B | 160 BPM | ||
| Waves | Max Cooper | D♭ Major | 7 | 3B | 111 BPM |