チョー・ヨンピル's '永遠のなかへ' had a release date set for January 1, 1984. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. 永遠のなかへ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in チョー・ヨンピル 6集, so we believe that "永遠のなかへ" is a single. 永遠のなかへ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 永遠のなかへ by チョー・ヨンピル is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 男と女の破片(かけら) | Kaori Kozai | C Minor | 5 | 5A | 108 BPM | ||
| 石狩挽歌 | Sayuri Ishikawa | A Minor | 3 | 8A | 101 BPM | ||
| つぐない | EunSook Kye | D Major | 5 | 10B | 111 BPM | ||
| 目覚めた時には晴れていた | 伝書鳩 | F Major | 2 | 7B | 126 BPM | ||
| めぐり逢いふたたび | Ryotaro Sugi | D Major | 1 | 10B | 97 BPM | ||
| さよならをするために~アコースティックバージョン~ | Billy Ban Ban | B Minor | 3 | 10A | 102 BPM | ||
| 想い出ぼろぼろ | Yasuko Naito | G Minor | 8 | 6A | 153 BPM | ||
| ちょうちんの花 | 川中美幸 | A Minor | 4 | 8A | 110 BPM | ||
| 若葉のささやき | 天地 真理 | B♭ Minor | 4 | 3A | 118 BPM | ||
| 函館の女 | Saburo Kitajima | B Major | 6 | 1B | 132 BPM | ||
| 噂の女 | Hiroshi Uchiyamada & Cool Five | B Minor | 3 | 10A | 90 BPM | ||
| 佐渡の夕笛 | Midori Oka | A♭ Minor | 6 | 1A | 154 BPM | ||
| 思えば遠くへ来たもんだ | Kaientai | D Minor | 6 | 7A | 171 BPM | ||
| Hisame | Masako Mori | F Minor | 4 | 4A | 79 BPM | ||
| 帰らざる日々 - シングル・バージョン / Remastered 2024 | ALICE | A Minor | 3 | 8A | 98 BPM | ||
| サルビアの花 | 本田 路津子 | G Major | 3 | 9B | 110 BPM | ||
| 北へ | Akira Kobayashi | B♭ Major | 3 | 6B | 101 BPM | ||
| 釜山港へ帰れ - 日本語 | チョー・ヨンピル | A♭ Major | 9 | 4B | 158 BPM | ||
| 北の宿から | Harumi Miyako | F♯ Minor | 4 | 11A | 121 BPM | ||
| 瀬戸の花嫁 | Mineko Nishikawa | G Major | 3 | 9B | 91 BPM | ||
| 北空港 | Keisuke Hama, EunSook Kye | G Minor | 3 | 6A | 96 BPM | ||
| 京都の恋 | Yuko Nagisa | G Minor | 5 | 6A | 146 BPM | ||
| 新宿そだち | Tonosama Kings | E Minor | 6 | 9A | 146 BPM | ||
| 今はもうだれも | ALICE | C Major | 8 | 8B | 130 BPM | ||
| 兄弟船 | Jiro Atsumi | E Minor | 5 | 9A | 149 BPM |