"Fate Is Fluid" by Henry Jackman, Dominic Lewis had its release date on February 10, 2017. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Man In The High Castle: Season One (Music From The Amazon Original Series)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, Fate Is Fluid's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fate Is Fluid by Henry Jackman, Dominic Lewis having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toast to a Kingsman | Henry Jackman, Matthew Margeson | E Major | 4 | 12B | 75 BPM | ||
| Suspicious Mind (Including End Credits) | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| 21 Days | Alexandre Desplat | F Minor | 0 | 4A | 84 BPM | ||
| Bildsköne Bengtssons glimt | Robert Johnson and Punchdrunks, Håkan Lidbo | E Major | 4 | 12B | 75 BPM | ||
| Flatline | Erkin Mimram, Eclador | C Minor | 3 | 5A | 85 BPM | ||
| Chuck Warpath | Brendan Angelides, Eskmo | B Minor | 2 | 10A | 135 BPM | ||
| Maybe You Killed Her | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Warrior Mentality | Marco Beltrami | B♭ Minor | 2 | 3A | 77 BPM | ||
| Trascendere Il Dolore | EDO ZENITH | G Major | 4 | 9B | 123 BPM | ||
| Dark Carnival | Soundscape | A♭ Major | 4 | 4B | 133 BPM | ||
| Timidez Comedida | Los Elocuentes | F♯ Minor | 0 | 11A | 137 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| Situaciones Problematicas | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| Evey Reborn | Dario Marianelli | F Minor | 1 | 4A | 80 BPM | ||
| The Washington Game Board | Nicholas Britell | G Minor | 3 | 6A | 135 BPM | ||
| Torn Apart | Dave Hahnall | F Major | 1 | 7B | 100 BPM | ||
| Trippin in a Real World | Andy Maranell, Andy Mardan | E Minor | 0 | 9A | 74 BPM | ||
| The Mass | Andy Maranell, Andy Mardan | C Minor | 2 | 5A | 85 BPM | ||
| The War Machine | David Schweitzer | G Major | 6 | 9B | 95 BPM | ||
| And Then There Were None | Stuart Earl | C Minor | 4 | 5A | 87 BPM | ||
| Zoey's Theme | Brian Tyler, John Carey, Brian Tyler & John Carey | G Major | 0 | 9B | 80 BPM | ||
| What Happens in Helmand | Ian Arber, Dave Rowntree | D♭ Major | 1 | 3B | 115 BPM | ||
| To Camp Four | Dario Marianelli | D Major | 2 | 10B | 140 BPM | ||
| Paciencia Necesaria | Casualidades Del Destino | A Minor | 0 | 8A | 102 BPM | ||
| Unofficial Treaties | Henry Jackman, Dominic Lewis | C Minor | 3 | 5A | 93 BPM |