"1. Tripping hither, tripping thither" by Arthur Sullivan, Jennifer Toye, Pauline Wales, The New Symphony Orchestra Of London, Isidore Godfrey had its release date on January 1, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company's "Gilbert & Sullivan Collection" album is number 2 out of 456. In terms of popularity, 1. Tripping hither, tripping thither is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 1. Tripping hither, tripping thither by Arthur Sullivan, Jennifer Toye, Pauline Wales, The New Symphony Orchestra Of London, Isidore Godfrey to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| H.M.S. Pinafore, Act I: Let's Give Three Cheers for the Sailor's Bride | Gilbert & Sullivan Society of Houston | E♭ Major | 6 | 5B | 114 BPM | ||
| Porgy And Bess: Summertime | George Gershwin, Betty Lane, Houston Grand Opera Women"s Ensemble, Houston Grand Opera Orchestra, John DeMain, Houston Grand Opera | E Minor | 1 | 9A | 109 BPM | ||
| The Mikado / Act 2: 30. The flowers that bloom in the spring, tra-la | Arthur Sullivan, Valerie Masterson, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Royal Philharmonic Orchestra, Royston Nash | A Major | 1 | 11B | 174 BPM | ||
| I Was Glad | Hubert Parry, The Sixteen, Harry Christophers | B♭ Major | 2 | 6B | 172 BPM | ||
| Puccini: Turandot, Act 1: "Fermo! che fai?" (Coro, Calaf, Pong, Pang, Ping) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Jonas Kaufmann, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 2 | 3B | 126 BPM | ||
| Quousque Dómine (salmo 12) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| H.M.S. Pinafore / Act 1: Can I survive this overbearing | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Donald Adams, Joyce Wright, George Cook, Jean Hindmarsh, Gillian Knight, Eric Wilson-Hyde, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E♭ Major | 3 | 5B | 130 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
| 17. Strephon's a member of Parliament | Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
| Peter and the Wolf, Op. 67: IX. Peter Prepares to Catch the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 112 BPM | ||
| Stay, We Must Not Lose Our Senses | The Pirates Of Penzance | G Major | 5 | 9B | 137 BPM | ||
| La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
| Peter and the Wolf, Op. 67: XI. Peter Catches the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 92 BPM | ||
| Ciléa: Adriana Lecouvreur, Act 1 Scene 3: "Ecco, respiro appena - lo son l'umile ancella" (Adriana) | Kiri Te Kanawa, Myung-Whun Chung | A♭ Major | 2 | 4B | 98 BPM | ||
| Die Fledermaus, Act II: No. 11a, Finale. Herr, Chevalier, ich grüsse Sie! | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 114 BPM | ||
| Show Boat, Act Two Scene Six: Let's make the new year far from a blue year | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | G Major | 4 | 9B | 132 BPM | ||
| Britten: Paul Bunyan, Op. 17, Act II, Scene 2: The Christmas Party. "Another slice of turkey" (Chorus, Fido, Moppet, Poppet, Inkslinger, Tiny, Slim, Hel, Shears, Western Union Boy) | Benjamin Britten, Philip Brunelle, Clifton Ware, Dan Dressen, Elisabeth Comeaux, James Bohn, James McKeel, James Westbrock, Janis Hardy, Maria Jette, Sue Herber, Orchestra Of The Plymouth Music Series | D Major | 1 | 10B | 128 BPM | ||
| Linda di Chamounix, A. 62, Act I Scene 3: Ah! Tardai troppo | Gaetano Donizetti, Jessica Pratt, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | D♭ Major | 0 | 3B | 141 BPM | ||
| Tannhäuser: Pilgrims' Chorus | Richard Wagner, Leopold Stokowski | A Minor | 1 | 8A | 79 BPM | ||
| Trial by Jury: All Hail, Great Judge! | Gilbert & Sullivan Society of Houston | G Major | 2 | 9B | 89 BPM | ||
| Orfeo ed Euridice (Sung in English): Orfeo ed Euridice, Act III: Aria: What is life to me without thee (Che faro senza Euridice?) | Kathleen Ferrier | C Major | 2 | 8B | 70 BPM | ||
| The Mikado / Act 1: 17. Oh fool, that flee-est My hallow'd joys! | Arthur Sullivan, Peggy Ann Jones, Lyndsie Holland, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 1 | 8B | 169 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel and Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM |