Jonathan Hultén's 'Leaving - Forest Version' had a release date set for December 16, 2022. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Forest Sessions". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Leaving - Forest Version is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Leaving - Forest Version by Jonathan Hultén having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falling Mirages | Jonathan Hultén | F Major | 4 | 7B | 140 BPM | ||
| Cuss the Black Dog | Darren Gillis | F♯ Minor | 9 | 11A | 167 BPM | ||
| Feet of Clay | Birch Book | C Minor | 4 | 5A | 103 BPM | ||
| Harvester | Dorthia Cottrell | F Major | 2 | 7B | 84 BPM | ||
| Sol | Kati Ran | B Minor | 5 | 10A | 96 BPM | ||
| Nimue | Faun, Chelsea Wolfe | G Major | 7 | 9B | 140 BPM | ||
| The Seer and the Seen | In Gowan Ring | D♭ Minor | 3 | 12A | 115 BPM | ||
| Bitter Dreams | Death Machine | F Minor | 1 | 4A | 120 BPM | ||
| Undertow | A Tergo Lupi | D Major | 7 | 10B | 180 BPM | ||
| Fields Of Juniper | Rapt | G Major | 1 | 9B | 97 BPM | ||
| Three Lost Souls | Port Sulphur Band | F Minor | 5 | 4A | 80 BPM | ||
| Unjust | Nemrud | A Minor | 4 | 8A | 128 BPM | ||
| The Roses | Jonathan Hultén | B Minor | 4 | 10A | 186 BPM | ||
| Only Membranes | Anterra | D Minor | 3 | 7A | 118 BPM | ||
| Flood of Eternity | Rebecca Foon | G Major | 4 | 9B | 140 BPM | ||
| Follow Me to Hell | Port Sulphur Band | F♯ Major | 4 | 2B | 93 BPM | ||
| The Light | Kellermensch | D Major | 8 | 10B | 103 BPM | ||
| Antechamber | Emily Jane White | C Minor | 2 | 5A | 181 BPM | ||
| Abysses | Pinhdar | A Minor | 5 | 8A | 140 BPM | ||
| Atonement | Jon Charles Dwyer, Catey Esler | F♯ Major | 3 | 2B | 115 BPM | ||
| Thousands of Bees | In Gowan Ring | A♭ Minor | 2 | 1A | 64 BPM | ||
| The Fleeting World | Jonathan Hultén | F Major | 5 | 7B | 80 BPM | ||
| Megin Runar | In Ruin, Kati Ran | B♭ Minor | 5 | 3A | 100 BPM | ||
| Not Coming Back | Aoraki | B Minor | 5 | 10A | 188 BPM | ||
| Insect | Lindy-Fay Hella, Dei Farne | B♭ Minor | 5 | 3A | 92 BPM |