Hugh Martin, Ralph Blane, German Brass's 'Have Yourself a Merry Little Christmas' had a release date set for November 11, 2022. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in German Brass's "It's Christmas Time" album is number 10 out of 32. On top of that, Germany appears to be the country where this track was created. Have Yourself a Merry Little Christmas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Have Yourself a Merry Little Christmas by Hugh Martin, Ralph Blane, German Brass to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade for String Orchestra, Op. 46: Cavatina. Lento cantabile | Hans Gál, Nina Karmon, Oliver Triendl, Sinfonietta Riga, Normunds Šnē | D Major | 1 | 10B | 86 BPM | ||
| The Boy Next Door (From "Meet Me in St. Louis") [Arr. J. Morris] | Hugh Martin, Richard Glazier | F Major | 0 | 7B | 70 BPM | ||
| Schubert / Transcr. for Harp: Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Anneleen Lenaerts | C Minor | 0 | 5A | 124 BPM | ||
| Tonight You Are in Paree (From "Make a Wish") | Hugh Martin | C Minor | 4 | 5A | 75 BPM | ||
| Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | C Minor | 2 | 5A | 34 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | ||
| Call to remembrance | Richard Farrant, Choir of Clare College, Cambridge, Graham Ross | F Minor | 1 | 4A | 81 BPM | ||
| It's a Wonderful Life, Act II: Auld Lang Syne | Jake Heggie, Houston Grand Opera Orchestra, Patrick Summers, Talise Trevigne, Patti LuPone, William Burden, Andrea Carroll | E♭ Major | 6 | 5B | 169 BPM | ||
| Finale (From "Make a Wish") | Hugh Martin | D Minor | 3 | 7A | 85 BPM | ||
| Meine Seele erhebt den Herrn | Heinrich von Herzogenberg, Schweizer Vokalconsort, Marco Amherd | D Minor | 1 | 7A | 108 BPM | ||
| We Toast the Days | Linda Kachelmeier, Chloe Flower, English National Opera Chorus, Jessica Cottis, James Hawkins, Academy of St. Martin in the Fields | D♭ Major | 5 | 3B | 138 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| First Snow | Vladimir Takinov | D♭ Major | 5 | 3B | 133 BPM | ||
| Love Theme - From "Ghost" | Maurice Jarre, Nino Rota, Royal Philharmonic Orchestra;Tolga Kashif | F Major | 3 | 7B | 85 BPM | ||
| My Love is like a Red, Red Rose (Arr. Ēriks Ešenvalds) | Robert Burns, Ēriks Ešenvalds, The Choral Scholars of University College Dublin, Desmond Earley | B♭ Major | 0 | 6B | 80 BPM | ||
| Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | ||
| Ave Maria, from Songs of the Church | Sergei Rachmaninoff, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | F Major | 0 | 7B | 106 BPM | ||
| Returning Home | John Barry, David White, English Chamber Orchestra | F Major | 2 | 7B | 68 BPM | ||
| My God Is a Righteous God | Majesty Strings | A♭ Major | 2 | 4B | 103 BPM | ||
| Reasons Can Wait | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brandt Martin, Royal Philarmonic Cunes | A♭ Major | 1 | 4B | 67 BPM | ||
| You Know Me | Kristina Arakelyan, Anna Lapwood, The Pembroke College Girls’ Choir, Joseph Beadle | C Minor | 3 | 5A | 176 BPM | ||
| Angels' Carol | John Rutter, Meike Leluschko, Pia Viola Buchert, Jenny Meyer | B♭ Minor | 4 | 3A | 106 BPM | ||
| Lo How a Rose | Winter Harp Ensemble, Lori Pappajohn | G Major | 1 | 9B | 78 BPM | ||
| He Giveth More Grace | Benny Hinn | E Major | 2 | 12B | 172 BPM | ||
| A SUMMER STORY | Laurens van Rooyen | F Major | 1 | 7B | 136 BPM |