"The Pit" by Brian Tyler had its release date on August 21, 2019. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Ready or Not (Original Motion Picture Soundtrack)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. The Pit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Pit by Brian Tyler having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Earth to Asgard | Patrick Doyle | D Minor | 6 | 7A | 95 BPM | ||
| Autobots Reunite | Steve Jablonsky | B Minor | 5 | 10A | 90 BPM | ||
| Origins - From "Thor: The Dark World"/Score | Brian Tyler | D Minor | 5 | 7A | 131 BPM | ||
| The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
| The Bloody Hundredth | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Wonder Woman's Wrath | Rupert Gregson-Williams | A Major | 6 | 11B | 158 BPM | ||
| Olympus Has Fallen | Trevor Morris | B♭ Major | 2 | 6B | 140 BPM | ||
| To Become a Kingsman | Henry Jackman, Matthew Margeson | F Minor | 0 | 4A | 91 BPM | ||
| Hot Fuel | Nathan Furst | C Minor | 5 | 5A | 135 BPM | ||
| The Black Gate Opens (feat. Sir James Galway) | Howard Shore, James Galway | E Minor | 2 | 9A | 148 BPM | ||
| See You In China | Thomas Wander, Harald Kloser | A♭ Major | 4 | 4B | 129 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| Metal Gear Solid - Big Boss Returns | Jonas B. Ingebretsen | D Major | 3 | 10B | 78 BPM | ||
| He's a Pirate | Klaus Badelt | B♭ Major | 7 | 6B | 71 BPM | ||
| The Ballad of the Nova Corps. (Instrumental) | Tyler Bates | A♭ Major | 3 | 4B | 152 BPM | ||
| Rogue Agent | Timothy Shortell | B Minor | 7 | 10A | 152 BPM | ||
| Statues | Alexandre Desplat | D♭ Major | 2 | 3B | 129 BPM | ||
| "...I'll Find My Own Way" | Harry Gregson-Williams | G Major | 4 | 9B | 138 BPM | ||
| Main on End | Alan Silvestri | G Major | 5 | 9B | 170 BPM | ||
| Uncharted Theme | Greg Edmonson | C Minor | 2 | 5A | 107 BPM | ||
| Cybertron Falls | Dario Marianelli | F Major | 7 | 7B | 103 BPM | ||
| Eno Cordova's Theme | Stephen Barton, Gordy Haab | D Minor | 1 | 7A | 85 BPM | ||
| On the Horizon | Brian Tyler, Assassin's Creed | B♭ Major | 4 | 6B | 147 BPM | ||
| The Future - Main Titles | John Ottman, Jeffrey Schindler, American Federation of Musicians | D Major | 1 | 10B | 122 BPM | ||
| Assassin's Creed Rogue Main Theme | Elitsa Alexandrova, Jesper Kyd, Assassin's Creed | D Minor | 4 | 7A | 136 BPM |