Curtis Stigers's 'San Diego Serenade' had a release date set for January 1, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Real Emotional". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, San Diego Serenade is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With San Diego Serenade by Curtis Stigers having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Belong to Me | Malene Mortensen | F Major | 2 | 7B | 75 BPM | ||
| Makin' Whoopee | Rigmor Gustafsson | B♭ Minor | 6 | 3A | 103 BPM | ||
| Will You Still Love Me Tomorrow | Liane Carroll | G Minor | 2 | 6A | 181 BPM | ||
| The Night We Called It a Day | Blue Martini Jazz | B♭ Major | 3 | 6B | 120 BPM | ||
| Comin' Home Baby | Emilie-Claire Barlow | D Minor | 2 | 7A | 122 BPM | ||
| Alright By Me | Delbert McClinton | A♭ Major | 3 | 4B | 159 BPM | ||
| Spooky | Christy Baron | F♯ Minor | 2 | 11A | 96 BPM | ||
| Given Time | Inger Marie Gundersen | D Major | 2 | 10B | 94 BPM | ||
| If Love Were All | Clare Teal | G Major | 2 | 9B | 66 BPM | ||
| Moondance | Paul Brown | D Minor | 3 | 7A | 119 BPM | ||
| Carey | Sara Gazarek | C Major | 3 | 8B | 105 BPM | ||
| You Belong To Me | Ann Hampton Callaway | F Major | 1 | 7B | 179 BPM | ||
| I Only Want To Be With You | Shelby Lynne | C Major | 3 | 8B | 99 BPM | ||
| Walk Between the Raindrops | Suss von Ahn | F Minor | 4 | 4A | 136 BPM | ||
| Caravan | Dave Grusin, Brian Bromberg, Harvey Mason | B♭ Minor | 4 | 3A | 136 BPM | ||
| Summertime | Curtis Stigers | A Minor | 2 | 8A | 118 BPM | ||
| New York, I Love It When You're Mean | Julian Velard | C Minor | 5 | 5A | 85 BPM | ||
| Fly Me to the Moon | Sarah McKenzie | A♭ Major | 6 | 4B | 80 BPM | ||
| The Way You Linger | Velour Calder | B♭ Major | 2 | 6B | 117 BPM | ||
| Cell Phone Blues | Nnenna Freelon | G Major | 3 | 9B | 96 BPM | ||
| Port Street Blues | Jon Cleary | A♭ Major | 3 | 4B | 83 BPM | ||
| Blackbird / Bye Bye Blackbird | Sara Gazarek, Josh Nelson | D♭ Major | 1 | 3B | 75 BPM | ||
| Night and Day | Suss von Ahn | C Major | 2 | 8B | 118 BPM | ||
| Both Sides Now | Friend 'N Fellow | D♭ Major | 1 | 3B | 140 BPM | ||
| Pretend | Shelby Lynne | B Minor | 1 | 10A | 146 BPM |