John Metcalfe's 'The Sound Was Our Ocean' had a release date set for September 21, 2018. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 10 in Absence by John Metcalfe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, The Sound Was Our Ocean's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Sound Was Our Ocean by John Metcalfe is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Trees | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 3 | 6A | 115 BPM | ||
| The World's Sorrow | John Metcalfe, Everton Nelson | A Minor | 2 | 8A | 174 BPM | ||
| September - Piano Version | Joep Beving | D Minor | 0 | 7A | 53 BPM | ||
| Metamorphosis: Two | Philip Glass | A Minor | 5 | 8A | 180 BPM | ||
| Boats and Crosses | John Metcalfe | F Minor | 3 | 4A | 83 BPM | ||
| Vladimir's Blues | Max Richter | A Major | 2 | 11B | 115 BPM | ||
| Palemote | Slow Meadow | A Major | 2 | 11B | 78 BPM | ||
| Holtnevel | Niklas Paschburg | F♯ Major | 4 | 2B | 95 BPM | ||
| Fantasía for Cello and Orchestra | Gabríel Ólafs, Steiney Sigurðardóttir, Reykjavík Orkestra, Viktor Orri Árnason | A Major | 0 | 11B | 58 BPM | ||
| Berceuse Rework | Felix Rösch, mondëna quartet | C Minor | 2 | 5A | 78 BPM | ||
| Written on the Sky | Max Richter | B♭ Minor | 1 | 3A | 136 BPM | ||
| Was am Ende | Alice Baldwin | B♭ Minor | 0 | 3A | 123 BPM | ||
| Shadow Land, Pt. 1 | Federico Albanese | F Minor | 1 | 4A | 123 BPM | ||
| Infra 4 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | D Minor | 2 | 7A | 116 BPM | ||
| Close | Ed Carlsen | D Major | 1 | 10B | 122 BPM | ||
| The Monolith | Gabríel Ólafs | E♭ Major | 0 | 5B | 100 BPM | ||
| Bára | Gabríel Ólafs | E♭ Major | 0 | 5B | 75 BPM | ||
| Paradigm Shift | Gavin Luke | C Major | 3 | 8B | 138 BPM | ||
| Truman Sleeps | Philip Glass | A♭ Major | 1 | 4B | 109 BPM | ||
| The Hours | Philip Glass | G Minor | 1 | 6A | 104 BPM | ||
| Today and it’s gone (Munich Session) | Carlos Cipa | D Major | 6 | 10B | 187 BPM | ||
| She Remembers | Max Richter | F♯ Minor | 0 | 11A | 68 BPM | ||
| An Ending (Ascent) - Remastered 2005 | Brian Eno | A♭ Major | 1 | 4B | 67 BPM | ||
| Etude | Joep Beving | A Minor | 0 | 8A | 126 BPM | ||
| The Conscience Loop | James Heather | G Minor | 2 | 6A | 132 BPM |