Debabrata Biswas's 'Aji Jhoro Jhoro - Mallar' had a release date set for 2017. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 17 in Badol Haoa Pagol Vol 1 by Debabrata Biswas. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Aji Jhoro Jhoro - Mallar is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aji Jhoro Jhoro - Mallar by Debabrata Biswas is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Emon Anek Kathai Bol Tumi | Satinath Mukherjee | E♭ Major | 3 | 5B | 101 BPM | ||
| Hatat Amar Fele Asha | Sapan Chakraborty, Kavita Krishnamurthy | D Minor | 6 | 7A | 131 BPM | ||
| Anondo Loke | Rezwana Choudhury Bannya | B Major | 3 | 1B | 101 BPM | ||
| Ranjish hi Sahi Dil hi Dukhane | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Jara Kotha Diye Tomar Kotha Bole (Puja) | Debabrata Biswas | B♭ Major | 3 | 6B | 148 BPM | ||
| Sarabela Aj Ke Dake | Shyamal Mitra | D Major | 5 | 10B | 131 BPM | ||
| Aamar Sarboankge Likhe Dio | Amrik Singh Arora | B Major | 4 | 1B | 150 BPM | ||
| Shimul Ranga Palash Ranga | Bhupen Hazarika | E♭ Major | 3 | 5B | 97 BPM | ||
| Tumi Sundor Tai Cheye Thaki | Satinath Mukherjee | D♭ Minor | 2 | 12A | 87 BPM | ||
| Ami Tomar Preme Habo Sabar | Sagar Sen | D Major | 2 | 10B | 155 BPM | ||
| So Bar Chaman Mehka | Naseem Begum | E♭ Major | 5 | 5B | 149 BPM | ||
| Oi Je Aakasher Gaye | Akhil Bandhu Ghosh | C Major | 2 | 8B | 122 BPM | ||
| Ore Smarannadir Pare | Arundhati Holme Chowdhury, Salil Chowdhury | B♭ Major | 4 | 6B | 118 BPM | ||
| Jamuna Kinare | Sandhya Mukherjee, Akhil Bandhu Ghosh | F♯ Major | 4 | 2B | 78 BPM | ||
| Aamaar Matha Nata Korey Daao | Debabrata Biswas | A♭ Major | 3 | 4B | 66 BPM | ||
| Elo Re Elo | Arundhati Holme Chowdhury, Salil Chowdhury | E Minor | 5 | 9A | 129 BPM | ||
| Chinmoye Rup Dhore | Swaraj Roy | F♯ Major | 7 | 2B | 96 BPM | ||
| Bol Golap More Bol | Debabrata Biswas | A♭ Major | 2 | 4B | 70 BPM | ||
| Ab Ke Tajdeed-E-Wafa | Mehnaz | F♯ Major | 3 | 2B | 96 BPM | ||
| Yesto Pani Hundo Raichha | Phatteman | D Major | 4 | 10B | 140 BPM | ||
| Tumi Nirmal Karo | Haimanti Sukla | A Major | 2 | 11B | 119 BPM | ||
| O Tota Pakhi Re | Nirmala Mishra, Prabir Mazumder | F♯ Major | 3 | 2B | 120 BPM | ||
| Bendhechi Beena Gaan Shonabo | Parveen Sultana | G Minor | 3 | 6A | 78 BPM | ||
| Shiter Shishir Bheja Raat | Bhupen Hazarika | B♭ Major | 3 | 6B | 133 BPM | ||
| Ami Kan Pete Roi | Srikanta Acharya | B Major | 3 | 1B | 154 BPM |