"Rose-Marie, Act II Scene 1: Only a Kiss" by Herbert Stothart, Mark Basile, Laura Waterbury, Gary Holcombe, Catholic University of America A Cappella Choir, James R. Morris had its release date on January 7, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 24 in Friml & Stothart: Rose-Marie by Ron Raines, Debra Vanderlinde, James R. Morris. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Rose-Marie, Act II Scene 1: Only a Kiss is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rose-Marie, Act II Scene 1: Only a Kiss by Herbert Stothart, Mark Basile, Laura Waterbury, Gary Holcombe, Catholic University of America A Cappella Choir, James R. Morris is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tip-Toe Through the Tulips With Me | Ambrose, Ambrose Orchestra | A♭ Major | 3 | 4B | 178 BPM | ||
| Pretty Little Baby | Joséphine Baker | D Major | 1 | 10B | 166 BPM | ||
| A Jitterbug's Lullaby | The Andrews Sisters | C Major | 1 | 8B | 94 BPM | ||
| Sweet Sue, Just You | The Mills Brothers | F♯ Major | 2 | 2B | 188 BPM | ||
| Yes Sir, That's My Baby! - Remastered | Eddie Cantor | A♭ Major | 4 | 4B | 113 BPM | ||
| The Music Goes 'Round and Around - 1999 Remastered | Tommy Dorsey & His Clambake Seven, Edythe Wright | F Major | 4 | 7B | 97 BPM | ||
| Over the Rainbow | Rudolf Friml, Gus Kahn, Herbert Stothart, Vera Lynn, Bert Ambrose Orchestra | A♭ Major | 0 | 4B | 101 BPM | ||
| Up the Wooden Hill to Bedfordshire | Herbert Stothart, Gus Kahn, Rudolf Friml, Vera Lynn, Arthur Young | D Major | 0 | 10B | 102 BPM | ||
| As time goes by (from Casablanca) | Vera Lynn | D♭ Major | 1 | 3B | 71 BPM | ||
| Chalk Dust | nguyentuan0108 | C Major | 3 | 8B | 75 BPM | ||
| Candlelight Winter Lounge | Oldies Playing | E♭ Major | 0 | 5B | 68 BPM | ||
| Can't Help Lovin' Dat Man - From the Musical ''Show Boat'' | Helen Morgan | D Major | 1 | 10B | 46 BPM | ||
| The Man Who Broke the Bank at Monte Carlo | Charles Coburn | D Major | 4 | 10B | 60 BPM | ||
| Norton: Chu Chin Chow, Act 2: Any Time's Kissing-Time (Alcolom, Ali Baba) | Frederic Norton, Michael Collins, Julie Bryan, Inia Te Wiata, Michael Collins Orchestra | E♭ Major | 3 | 5B | 111 BPM | ||
| Falling In Love Again | Marlene Dietrich | E♭ Major | 1 | 5B | 95 BPM | ||
| If You Can't Sing It (You'll Have To Swing It) | Martha Raye | F Minor | 0 | 4A | 114 BPM | ||
| I'll Never Smile Again | Joe Loss & His Orchestra | G Minor | 2 | 6A | 111 BPM | ||
| Sweet and Lovely | Al Bowlly | A♭ Major | 2 | 4B | 100 BPM | ||
| September in the Rain - Remastered | Guy Lombardo | A Minor | 3 | 8A | 152 BPM | ||
| I'm No Angel - The Original Commercial Recordings | Mae West | F Major | 1 | 7B | 110 BPM | ||
| Ballerina | Buddy Clark | B♭ Major | 1 | 6B | 135 BPM | ||
| Let's Put Out the Lights | Jane Russell | D♭ Major | 0 | 3B | 71 BPM | ||
| The Moon Got in My Eye | Alice Faye, Hal Kemp And His Orchestra | A♭ Major | 1 | 4B | 112 BPM | ||
| I Called to Say Goodnight | Nick Lucas | E♭ Major | 3 | 5B | 111 BPM | ||
| Suite - From Mutiny on the Bounty (1935) | Charles Laughton, Herbert Stothart | F Major | 3 | 7B | 111 BPM |