Hood's 'How Bad Can It Be?' had a release date set for December 3, 1996. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Structured Disasters". In this album, this song's track order is #18. How Bad Can It Be? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With How Bad Can It Be? by Hood having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Closure | Hood | F Minor | 5 | 4A | 120 BPM | ||
| Footprints In The Snow | Disco Inferno | D Major | 6 | 10B | 113 BPM | ||
| Where Have All the Good Boys Gone | The American Analog Set | A Minor | 3 | 8A | 156 BPM | ||
| songs for m, iii | deathcrash | E Minor | 1 | 9A | 145 BPM | ||
| Sister | Good Night & Good Morning | B Major | 2 | 1B | 120 BPM | ||
| New World | Sleepish | E Minor | 1 | 9A | 145 BPM | ||
| Compassion For M | Aerial M | C Major | 4 | 8B | 91 BPM | ||
| Safeless | Aerial M | B Minor | 6 | 10A | 127 BPM | ||
| More Than Ever | Bedhead | E Major | 2 | 12B | 120 BPM | ||
| Wedding Song No. 3 | Papa M | D Major | 6 | 10B | 164 BPM | ||
| Take | Low | D Major | 1 | 10B | 75 BPM | ||
| For Tiara | Cynthia Dall | C Major | 1 | 8B | 82 BPM | ||
| Driven out by the Angry Villager | Hood | F♯ Major | 7 | 2B | 109 BPM | ||
| Beheaded | Bedhead | D Major | 1 | 10B | 125 BPM | ||
| Strawberry Rash | Smog | B♭ Major | 2 | 6B | 84 BPM | ||
| Haywire | Bedhead | D Major | 6 | 10B | 95 BPM | ||
| Bass Crawl | Idaho | B Major | 3 | 1B | 116 BPM | ||
| Song 4 | HADES! | E♭ Major | 7 | 5B | 110 BPM | ||
| It's Been A Long Time Since I Was Last Here | Hood | E Minor | 5 | 9A | 107 BPM | ||
| Ghost Tropic I | Songs: Ohia, Jason Molina | B♭ Minor | 2 | 3A | 72 BPM | ||
| Soothed | Should | A♭ Major | 5 | 4B | 133 BPM | ||
| It's Alright | The American Analog Set | G Major | 2 | 9B | 116 BPM | ||
| Chinese Handcuffs | The New Year | B Minor | 4 | 10A | 124 BPM | ||
| The Walls as Witness | Poorly Drawn House | E Major | 2 | 12B | 81 BPM | ||
| Star Ruby | Movietone | F♯ Major | 1 | 2B | 78 BPM |