- BPM
- 175
- Key
- A♭ Major
- Camelot
- 4B
Aida: Ritorna vincitor! by Italian Orchestral Academy Of Milano & Chorus Song Details
"Aida: Ritorna vincitor!" by Italian Orchestral Academy Of Milano & Chorus had its release date on May 1, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Italian World Classical Masters, so we believe that "Aida: Ritorna vincitor!" is a single. The popularity of Aida: Ritorna vincitor! is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Aida: Ritorna vincitor! by Italian Orchestral Academy Of Milano & Chorus is Vivace (lively and fast), since this song has a tempo of 175 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.092 dB
- Acousticness
- 97%
- Danceability
- 20%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 19%
- Loudness
- 60%
- Speechiness
- 5%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Spontini: La vestale, Act 2: "Sur cet autel sacré" (Julia) | Gaspare Spontini, Philharmonia Orchestra, Rita Gorr, Lawrance Collingwood | E Minor | 1 | 9A | 66 BPM | |
 | Verdi: Aida, Act 2: "O Re, pei sacri numi" (Radamès, Il Re, Amneris, Coro, Ramfis) | Giuseppe Verdi, Riccardo Muti, Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Luigi Roni, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | F♯ Major | 2 | 2B | 87 BPM | |
 | La traviata / Act 2: "Non sapete quale affetto" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 1 | 4A | 86 BPM | |
 | La traviata: Act I: Libiamo ne' lieti calici (Brindisi) | Giuseppe Verdi, Roberto Alagna, Tiziana Fabbricini, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano, Coro Del Teatro Alla Scala Di Milano, Nicoletta Curiel, Orazio Mori, Enzo Capuano, Francesco Musinu, Enrico Cossutta | B♭ Major | 2 | 6B | 66 BPM | |
 | Bizet: Carmen: Pres des remparts de Seville: Seguidilla - Act One | Georges Bizet, Shirley Verrett, Plácido Domingo, Sir Georg Solti | B Minor | 2 | 10A | 78 BPM | |
 | Carmen, WD 31 / Act 2: "Vivat! Vivat le torero!..Votre toast" | Georges Bizet, José van Dam, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti | F Major | 4 | 7B | 107 BPM | |
 | Bellini: Norma, Act 2: "Non parti?" (Coro) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 0 | 4B | 74 BPM | |
| Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Franco Corelli | G Major | 3 | 9B | 98 BPM | |
| Bizet: Carmen: Parle-moi de ma mere! - Act One | Georges Bizet, Plácido Domingo, Kiri Te Kanawa, Sir Georg Solti | B♭ Major | 2 | 6B | 133 BPM | |
 | Bellini: I puritani: "O amato zio, o mio secondo padre!" (Elvira, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Bellini: Norma: "Casta diva" (Norma, Coro) [Live, Paris, 1958] | Vincenzo Bellini, Maria Callas, Chœur du Théâtre national de l'Opéra de Paris, Georges Sebastian, Orchestre du Théâtre National de l'Opéra de Paris | F Major | 3 | 7B | 165 BPM | |
 | Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | |
 | La bohème, Act IV: Vecchia zimarra, senti | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM | |
 | (Finale) Canzone Per Loretta / Gioventu Mia, Tu Non Sei Morta | Dick Hyman, Dominic Cortese | G Major | 3 | 9B | 100 BPM | |
| Norma (1997 Digital Remaster), ACT 1, Scene 1: Sediziose voci (Norma/Oroveso/Coro) | Vincenzo Bellini, Maria Callas, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Minor | 1 | 3A | 85 BPM | |
 | Ponchielli : La Gioconda : Act 2 "Cielo e mar" [Enzo] | Amilcare Ponchielli, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | E♭ Major | 3 | 5B | 146 BPM | |
 | Rigoletto / Act 2: Mio padre! / Dio! Mia Gilda! | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 1 | 3B | 91 BPM | |
 | La Gioconda / Act 3: La gaia canzone fa l'eco languir | Amilcare Ponchielli, Neil Jenkins, Geoffrey Shaw, Nicolai Ghiaurov, Montserrat Caballé, Agnes Baltsa, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Major | 1 | 8B | 99 BPM | |
 | Gounod : Faust : Act 1 "Le veau d'or" [Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A♭ Major | 4 | 4B | 108 BPM | |
 | Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | |
 | L'elisir d'amore / Act 1: "Signor sargente" | Gaetano Donizetti, Maria Casula, Dominic Cossa, Luciano Pavarotti, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 84 BPM | |
 | Rigoletto / Act 1: Zitti, zitti, moviamo a vendetta (Borsa, Marullo, Ceprano, Gilda, Rigoletto, Coro) | Giuseppe Verdi, Paul Groves, Dwayne Croft, Yanni Yannissis, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 2 | 4B | 84 BPM | |
 | Il Barbiere di Siviglia: La calunnia è un venticello - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | |
 | La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | |
 | The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records