Luther Vandross's ' "Night In Harlem" was released on its scheduled release date, December 23, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 34 in the song's album "New Jack RnB vol 7". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. In terms of popularity, Night In Harlem is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Night In Harlem by Luther Vandross having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| For You to Love | Luther Vandross | G Major | 7 | 9B | 94 BPM | ||
| Whip Appeal - 12-inch Version | Babyface | B Minor | 5 | 10A | 73 BPM | ||
| Come & Talk To Me | Jodeci | G Major | 6 | 9B | 172 BPM | ||
| The Love We Had (Stays On My Mind) | Dru Hill | G Major | 6 | 9B | 138 BPM | ||
| (Lay Your Head On My) Pillow | Tony! Toni! Toné! | F♯ Minor | 5 | 11A | 79 BPM | ||
| Very Special | Debra Laws | A♭ Minor | 5 | 1A | 147 BPM | ||
| Before I Let Go | Maze, Frankie Beverly | F♯ Minor | 6 | 11A | 103 BPM | ||
| So Long - Well, Well, Well | Phajja | B♭ Major | 5 | 6B | 80 BPM | ||
| I'm Your Woman | Karyn White | B Major | 4 | 1B | 70 BPM | ||
| You Stopped Loving Me | Luther Vandross | D Major | 7 | 10B | 100 BPM | ||
| Where Do We Go from Here | Deborah Cox | B♭ Minor | 7 | 3A | 152 BPM | ||
| Love Ballad | L.T.D. | F♯ Minor | 4 | 11A | 78 BPM | ||
| Made to Love Ya | Gerald Levert | E♭ Major | 5 | 5B | 120 BPM | ||
| 5 Miles To Empty | Brownstone | D Major | 5 | 10B | 135 BPM | ||
| Home Again | New Edition | E♭ Major | 4 | 5B | 114 BPM | ||
| Baby I'm Hooked (Right Into Your Love) | Con Funk Shun | C Major | 4 | 8B | 132 BPM | ||
| 'Cause I Love You | Lenny Williams | B♭ Minor | 4 | 3A | 130 BPM | ||
| If This World Were Mine (with Luther Vandross) | Cheryl Lynn, Luther Vandross | A Major | 3 | 11B | 128 BPM | ||
| Not Enough Hours In The Night | After 7 | C Major | 7 | 8B | 135 BPM | ||
| Tell Me If You Still Care | The S.O.S Band | E Minor | 7 | 9A | 81 BPM | ||
| You Are Everything | The Stylistics | E Minor | 7 | 9A | 171 BPM | ||
| When Somebody Loves You Back | Teddy Pendergrass | A Minor | 6 | 8A | 98 BPM | ||
| Tonight Is Right | Keith Washington | D♭ Major | 5 | 3B | 80 BPM | ||
| All Season | Levert | E Minor | 5 | 9A | 138 BPM | ||
| Forever More | Puff Johnson | B Major | 6 | 1B | 153 BPM |