"All That Remains" by Nicholas David had its release date on January 1, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Oak Chase Way". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. The popularity of All That Remains is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All That Remains by Nicholas David having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Another Man's Words | Vintage Trouble | A Major | 5 | 11B | 140 BPM | ||
| Monsters Sleep | Nicholas David | D Major | 6 | 10B | 168 BPM | ||
| Knockin’ On Heaven’s Door - The Voice Performance | Drew Cole, Miya Bass | A Major | 6 | 11B | 144 BPM | ||
| Son Of A Preacher Man (Nightbird) | Eva Cassidy | A Major | 7 | 11B | 88 BPM | ||
| Take It To The Limit | The Midnight Revival | B Major | 3 | 1B | 97 BPM | ||
| You Know I’m No Good - The Voice Performance | Kelsea Johnson | E Minor | 7 | 9A | 105 BPM | ||
| Black Velvet | Sandi Thom | A♭ Major | 2 | 4B | 81 BPM | ||
| Need You Tonight | Bonnie Raitt | B♭ Minor | 7 | 3A | 104 BPM | ||
| 9 To 5 - The Voice Performance | Emily Ann Roberts | G Major | 8 | 9B | 103 BPM | ||
| Drink You Away | Trent Harmon | D Major | 9 | 10B | 150 BPM | ||
| The First Time Ever I Saw Your Face | Jeffrey Gaines | C Minor | 1 | 5A | 128 BPM | ||
| Take Me To Church - The Voice Performance | Matt McAndrew | E Minor | 7 | 9A | 128 BPM | ||
| It's About Time | Nicholas David | F Major | 1 | 7B | 82 BPM | ||
| There's Nothing Holdin' Me Back - The Voice Australia 2018 Performance / Live | Trent Bell, Josh Richards | A♭ Major | 7 | 4B | 123 BPM | ||
| City Of The King (Psalm 48) | RIVERS AND REVIVAL | B♭ Minor | 3 | 3A | 161 BPM | ||
| It Don’t Matter To The Sun | Javier Colon | D Major | 4 | 10B | 136 BPM | ||
| Somebody To Love - The Voice Performance | Jordan Smith | A♭ Major | 9 | 4B | 111 BPM | ||
| I Believe | Adam Ezra Group | G Major | 7 | 9B | 150 BPM | ||
| 2 Corinthians 12:9 - The Thorn and the Grace | New Worship Blues | F Major | 4 | 7B | 139 BPM | ||
| Vienna - The Voice Performance | Andrew DeMuro | B♭ Major | 6 | 6B | 128 BPM | ||
| Cry Baby - The Voice Performance | Alisan Porter | C Major | 9 | 8B | 171 BPM | ||
| Wisket Don't Lie | The Harmony Sessions | F♯ Major | 7 | 2B | 112 BPM | ||
| Exs and Ohs (Acoustic Version) | Kyla Fletcher | E Minor | 5 | 9A | 140 BPM | ||
| You’re Lookin’ At Country - The Voice Performance | Chevel Shepherd | D♭ Major | 7 | 3B | 76 BPM | ||
| Chrome Soul | Ultra Pulse | C Major | 4 | 8B | 104 BPM |