Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp's ' "Captain Coram's Kids: I am a little Foundling" was released on its scheduled release date, February 1, 2011. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Captain Coram's Kids: I am a little Foundling's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Hurd, Ronald Corp's "Hurd: Pop Cantatas" album is number 34 out of 36. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Captain Coram's Kids: I am a little Foundling is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Captain Coram's Kids: I am a little Foundling by Michael Hurd, John Addison, New London Children's Choir, The New London Orchestra, Ronald Corp to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem, Op. 48, N. 97: VII. In Paradisum | Gabriel Fauré, La Chapelle Royale, Philippe Herreweghe, Collegium Vocale Gent | D Major | 0 | 10B | 78 BPM | ||
| Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Janine Jansen, Gewandhausorchester, Riccardo Chailly | E♭ Major | 1 | 5B | 79 BPM | ||
| Reverie | Angela Morley, Geoffrey Allan, Gavin Sutherland, Royal Ballet Sinfonia | C Major | 2 | 8B | 98 BPM | ||
| Windmills of Your Mind (From "The Thomas Crown Affair") | Die 12 Cellisten der Berliner Philharmoniker, Esko Laine | D Minor | 0 | 7A | 108 BPM | ||
| Culinary Harmony | Estoria | C Major | 1 | 8B | 135 BPM | ||
| Loving in the Rain | Zbyňka Šolcová | C Major | 1 | 8B | 135 BPM | ||
| Handel: Israel in Egypt, HWV 54: Overture. Lamentations of the Israelites for the Death of Joseph | George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra | G Minor | 0 | 6A | 79 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| Film music for Henry V: 2 Pieces for Strings: II. Passacaglia: Death of Falstaff | William Walton, Bournemouth Sinfonietta, Richard Studt | E Minor | 0 | 9A | 79 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Memorie di Luce | Francesco Paolo Filosa, FPF Project | D Minor | 0 | 7A | 76 BPM | ||
| Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 1 | 6B | 65 BPM | ||
| Rooster Rag: Oh what a beautiful dream! | Michael Hurd, Orla Gill, Eleanor Burke, Amaya Pitharas, James Cameron, New London Children's Choir, Alexander Wells, The New London Orchestra, Ronald Corp | G Major | 0 | 9B | 110 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Die tote Stadt, Act I: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
| Your light sleep | Jalaapeno | A Minor | 1 | 8A | 47 BPM | ||
| Irish Idyll | Peter Dodd, Royal Ballet Sinfonia, David Lloyd-Jones | A Major | 0 | 11B | 81 BPM | ||
| Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses | Christoph Willibald Gluck, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves | F Major | 1 | 7B | 74 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Brian: Symphony No. 7 in C Major: I. Allegro moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | C Major | 1 | 8B | 135 BPM | ||
| Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | F Major | 0 | 7B | 95 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM |