"Red Mars I" by Loren Connors had its release date on September 6, 2011. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 5 in the song's album "Red Mars". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Red Mars I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Red Mars I by Loren Connors having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clearance | Celia Hollander | E Minor | 1 | 9A | 68 BPM | ||
| A Sadness In Me | Suzanne Langille, Loren Connors, David Daniell, Andrew Burnes | E Minor | 0 | 9A | 73 BPM | ||
| Airs 18 | Loren Connors | B Major | 0 | 1B | 52 BPM | ||
| Nowhere (For Bob Moses), Pt. 1 | Michael Gibbs | F Minor | 5 | 4A | 200 BPM | ||
| Very Good | Will Pessarello | A♭ Major | 2 | 4B | 127 BPM | ||
| waters end - demo | eventides | G Minor | 2 | 6A | 123 BPM | ||
| Airs 9 | Loren Connors | A♭ Minor | 0 | 1A | 117 BPM | ||
| Almost Beautiful | Anna Homler, The Pylon King, Voices Of Kwahn | F Minor | 1 | 4A | 54 BPM | ||
| Airs 11 | Loren Connors | A♭ Minor | 0 | 1A | 130 BPM | ||
| Balboa Street | The Last Gray Wolf | G Major | 6 | 9B | 90 BPM | ||
| At Seventy-Three Miles | Andrew Tuttle, Michael Chapman | E♭ Major | 3 | 5B | 90 BPM | ||
| Derby doorman | Picnic | D Major | 2 | 10B | 127 BPM | ||
| Vitality | Astral | G Minor | 0 | 6A | 137 BPM | ||
| How It Rains - Instrumental | Kath Bloom, Loren Connors | F♯ Major | 0 | 2B | 190 BPM | ||
| Dear John | Will Epstein | D Minor | 1 | 7A | 79 BPM | ||
| Movement 8 | Kim Gordon, Loren Connors | D Major | 3 | 10B | 90 BPM | ||
| melencolia vale (parts I-III) | one-four | C Major | 1 | 8B | 52 BPM | ||
| Brisa Que Me Llena | Pulso En La Nota | E♭ Major | 0 | 5B | 133 BPM | ||
| Piano Rev | His Name Is Alive | F♯ Major | 3 | 2B | 172 BPM | ||
| Mojave Flowers | Michael Scott Dawson, Michael Grigoni | D Major | 1 | 10B | 77 BPM | ||
| Airs (The Lost Track) | Loren Connors | B Major | 0 | 1B | 125 BPM | ||
| Stone Circle | Christina Vantzou, John Also Bennett, JAB | E♭ Major | 1 | 5B | 134 BPM | ||
| Landlock | Flaer | G Minor | 3 | 6A | 77 BPM | ||
| Jiji's Lament | M. Sage, Lake Mary, Patrick Shiroishi, Chris Jusell | E Major | 2 | 12B | 137 BPM | ||
| Haunted House | Suzanne Langille, Loren Connors | G Major | 0 | 9B | 106 BPM |