"Lost Future" by Tom Hodge, Floex had its release date on September 16, 2021. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Lost Future's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tom Hodge, Floex's "Je Suis Karl (Original Motion Picture Soundtrack)" album is number 1 out of 14. On top of that, Czechia appears to be the country where this track was created. Based on our statistics, Lost Future's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lost Future by Tom Hodge, Floex to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Citrus | Clark | B♭ Minor | 1 | 3A | 91 BPM | ||
| Buka | Hania Rani | D Major | 3 | 10B | 103 BPM | ||
| Sea | Luke Abbott | E♭ Major | 0 | 5B | 75 BPM | ||
| The Future Never Comes | Deru | C Minor | 5 | 5A | 144 BPM | ||
| Toba | Polynation | G Minor | 7 | 6A | 121 BPM | ||
| Alyth - Nuage Remix | Hidden Orchestra, Nuage | B♭ Minor | 5 | 3A | 135 BPM | ||
| Trust | Max Cooper, Tom Hodge, Kathrin deBoer | B♭ Minor | 8 | 3A | 164 BPM | ||
| Signale | Bersarin Quartett | C Minor | 3 | 5A | 169 BPM | ||
| Undiscovered Colors | The Flashbulb | F Minor | 3 | 4A | 93 BPM | ||
| Order from Chaos | Max Cooper | A Minor | 9 | 8A | 152 BPM | ||
| SpVce | Eskmo, Brendan Angelides | B♭ Major | 4 | 6B | 83 BPM | ||
| Jenova | Ital Tek | D♭ Major | 4 | 3B | 170 BPM | ||
| All the Way Round - Edit | Kelpe | D Minor | 1 | 7A | 108 BPM | ||
| CONNECTIVITY - Olga Wojciechowska Rework | Nathan Fake, Olga Wojciechowska | E Minor | 3 | 9A | 67 BPM | ||
| Imprints | Field Works, Loscil | D♭ Major | 3 | 3B | 85 BPM | ||
| Back To Belgrade | Clark | C Minor | 5 | 5A | 82 BPM | ||
| Alone in Berlin | Kev Sheridan | A♭ Major | 3 | 4B | 190 BPM | ||
| Sjurvival | Forest Swords | A Minor | 6 | 8A | 131 BPM | ||
| One Shy Morning | Amon Tobin | C Minor | 5 | 5A | 100 BPM | ||
| Haunt | Rival Consoles | F Minor | 7 | 4A | 147 BPM | ||
| Invaluable Waste from the Outlying Districts, Pt. 01 | Moderat | C Minor | 4 | 5A | 80 BPM | ||
| Blessed Messanger - Ryan Teague Rework | Luca D'Alberto, Ryan Teague | D Major | 6 | 10B | 160 BPM | ||
| Open Heart | Ital Tek | F♯ Major | 5 | 2B | 119 BPM | ||
| Whispering Air | Aure Veyra | E♭ Minor | 4 | 2A | 99 BPM | ||
| Primary Pluck | Clark | C Minor | 2 | 5A | 73 BPM |