- BPM
- 90
- Key
- D♭ Major
- Camelot
- 3B
Rigoletto, Act III: Ah, soon, in Heaven (Gilda, Rigoletto) by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Helen Field Song Details
"Rigoletto, Act III: Ah, soon, in Heaven (Gilda, Rigoletto)" by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Helen Field had its release date on January 1, 2000. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Helen Field, Arthur Davies, John Tomlinson, Jean Rigby, Norman Bailey. The song's track number on the album is #22 out of 38 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Rigoletto, Act III: Ah, soon, in Heaven (Gilda, Rigoletto) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
Since Rigoletto, Act III: Ah, soon, in Heaven (Gilda, Rigoletto) by Giuseppe Verdi, Sir Mark Elder, English National Opera Orchestra, John Rawnsley, Helen Field has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto, Act III: Ah, soon, in Heaven (Gilda, Rigoletto) being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.456 dB
- Acousticness
- 98%
- Danceability
- 27%
- Energy
- 15%
- Instrumentalness
- 0%
- Liveness
- 7%
- Loudness
- 71%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | |
 | Tuba Mirum | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | G Minor | 2 | 6A | 104 BPM | |
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 | Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | |
 | Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | |
 | Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | |
 | Il Trovatore / Act 3: "Squilli, echeggi la tromba" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Major | 4 | 12B | 110 BPM | |
 | Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | |
 | Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | |
 | Requiem, K. 626: IIIa. Dies irae | Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 6 | 6B | 152 BPM | |
 | Le nozze di Figaro, K.492 / Act 3: "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 90 BPM | |
| Verdi: Messa da Requiem: IV. Tuba mirum | Giuseppe Verdi, Claudio Abbado, Eric Ericson Chamber Choir, Orfeon Donostiarra, Swedish Radio Choir, Berliner Philharmoniker | E♭ Major | 4 | 5B | 70 BPM | |
 | Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | |
 | Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | |
 | Bizet: Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) | Georges Bizet, Maria Callas, Choeurs Rene Duclos, Georges Prêtre, Orchestre du Théâtre National de l'Opéra de Paris | D Major | 1 | 10B | 102 BPM | |
 | La traviata / Act II: "Un dì, quando le veneri" | Giuseppe Verdi, Thomas Hampson, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | D♭ Major | 1 | 3B | 82 BPM | |
 | Norma: Sinfonia | Vincenzo Bellini, Welsh National Opera Orchestra, Richard Bonynge | G Major | 1 | 9B | 140 BPM | |
 | Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 98 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Carmina Burana: V. Ecce gratum | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | |
 | Bellini: Norma: "Casta diva" (Norma, Coro) [Live, Paris, 1958] | Vincenzo Bellini, Maria Callas, Chœur du Théâtre national de l'Opéra de Paris, Georges Sebastian, Orchestre du Théâtre National de l'Opéra de Paris | F Major | 3 | 7B | 165 BPM | |
 | La traviata, Act III: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 0 | 4B | 135 BPM | |
 | Also sprach Zarathustra, Op.30, TrV 176: Prelude (Sonnenaufgang) | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 72 BPM | |
 | Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM |
- ISRC
- GBLWD0001122
- Label
- L-M Records/RCA Records