On September 14, 1960, the song "Let's Call The Whole Thing Off" was released by George Shearing Quintet. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Shearing Quintet's "Latin Affair (The George Shearing Quintet)" album is number 2 out of 12. On top of that, United States appears to be the country where this track was created. The popularity of Let's Call The Whole Thing Off is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Let's Call The Whole Thing Off by George Shearing Quintet to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I've Got It Bad (And That Ain't Good) | Donald Byrd | C Major | 1 | 8B | 114 BPM | ||
| I'm Glad There Is You | Duke Pearson | F Major | 2 | 7B | 133 BPM | ||
| The Old Country | Nancy Wilson, Cannonball Adderley, Sweet | B♭ Minor | 1 | 3A | 126 BPM | ||
| 'Round Midnight | Betty Carter | B♭ Minor | 1 | 3A | 51 BPM | ||
| Prelude To A Kiss | Bobby Timmons | A Minor | 1 | 8A | 75 BPM | ||
| Something To Live For | Billy Strayhorn | G Major | 1 | 9B | 91 BPM | ||
| Nights At The Turntable | Gerry Mulligan Quartet | G Major | 3 | 9B | 76 BPM | ||
| The Duke | Bill Charlap Trio | A♭ Major | 2 | 4B | 118 BPM | ||
| See See Rider | Ernestine Anderson | F Major | 4 | 7B | 132 BPM | ||
| Everybody Gets the Blues | Eric Scott Reed | F♯ Major | 1 | 2B | 70 BPM | ||
| Poor Butterfly | Cannonball Adderley Quartet | A♭ Major | 4 | 4B | 135 BPM | ||
| Come Rain or Come Shine | Sarah Vaughan | A Minor | 1 | 8A | 71 BPM | ||
| Old Folks (feat. Hank Mobley, Wynton Kelly, Paul Chambers & Jimmy Cobb) | Miles Davis, Hank Mobley, Wynton Kelly, Paul Chambers, Jimmy Cobb | D Minor | 1 | 7A | 104 BPM | ||
| Silver's Blue | Horace Silver | C Minor | 3 | 5A | 135 BPM | ||
| Almost Like Being In Love | Lorez Alexandria | A♭ Major | 2 | 4B | 83 BPM | ||
| Out Of Nowhere | Bill Charlap Trio | G Major | 2 | 9B | 99 BPM | ||
| Stolen Moments | Ahmad Jamal Trio | G Minor | 3 | 6A | 118 BPM | ||
| Evansville - Remastered | George Shearing Quintet | D♭ Major | 0 | 3B | 56 BPM | ||
| Crazy He Calls Me | Anita O'Day | B♭ Major | 1 | 6B | 69 BPM | ||
| My Funny Valentine - Rudy Van Gelder Remaster 2007 | Miles Davis Quintet | C Minor | 1 | 5A | 70 BPM | ||
| You're My Everything - Original Version With False Start | Miles Davis Quintet | B♭ Major | 2 | 6B | 119 BPM | ||
| Don't Take Your Love From Me | Johnny Hodges & His Orchestra | C Major | 1 | 8B | 178 BPM | ||
| No blues | Horace Parlan | F Major | 3 | 7B | 91 BPM | ||
| I Can't Give You Anything But Love | Sonny Clark | F Minor | 2 | 4A | 102 BPM | ||
| The Nearness of You | Milt Jackson | F♯ Major | 2 | 2B | 71 BPM |