Jon Dee Graham's ' "Big Sweet Life" was released on its scheduled release date, March 30, 1999. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Summerland". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Big Sweet Life's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Big Sweet Life by Jon Dee Graham having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| October | Jon Dee Graham | D Major | 8 | 10B | 125 BPM | ||
| After Midnight | Shannon McNally | A Minor | 4 | 8A | 98 BPM | ||
| I'd Rather Be Blind, Crippled, And Crazy | Peter Wolf | D Major | 7 | 10B | 172 BPM | ||
| Rocket To Nowhere | Randall Bramblett | F Major | 5 | 7B | 113 BPM | ||
| Let It Go | Anders Osborne | B Minor | 8 | 10A | 183 BPM | ||
| Rocks into Sand | Bill Kirchen | G Major | 8 | 9B | 110 BPM | ||
| Waiting On Me | Zoltan Horcsok | G Major | 6 | 9B | 91 BPM | ||
| Heartattack And Vine | John Hammond | G Major | 7 | 9B | 86 BPM | ||
| Lincoln Town | John Hiatt | G Major | 9 | 9B | 148 BPM | ||
| Veronica Said | Benmont Tench | B♭ Minor | 5 | 3A | 119 BPM | ||
| Heartache On The Line | Trigger Hippy | A Major | 6 | 11B | 112 BPM | ||
| Cuban Rebel Girl | Tav Falco, Charlie Musselwhite, Chris Spedding, Francesco D'Agnolo | D Major | 5 | 10B | 100 BPM | ||
| What It Takes | Fred Eaglesmith | D Major | 2 | 10B | 180 BPM | ||
| Tennessee Nights | Gasoline Lollipops | C Major | 5 | 8B | 118 BPM | ||
| North | Blackie & The Rodeo Kings | E Major | 5 | 12B | 147 BPM | ||
| The Ballad of Barbara and Steve | Jon Dee Graham | D Major | 6 | 10B | 122 BPM | ||
| I Don't Know Anybody in This Town | Greg Brown | G Major | 5 | 9B | 125 BPM | ||
| Getting Closer | Jake La Botz | G Major | 8 | 9B | 129 BPM | ||
| Got Your Six | Mary Gauthier | E Major | 4 | 12B | 108 BPM | ||
| Old Days | John Hiatt | F Minor | 9 | 4A | 175 BPM | ||
| 16 Shells From A Thirty-Ought Six | John Hammond | C Major | 6 | 8B | 131 BPM | ||
| The Change | Jon Dee Graham | E Major | 4 | 12B | 107 BPM | ||
| Freak Flag | Greg Brown | G Minor | 9 | 6A | 123 BPM | ||
| Satin Sheets | Ben Chapman, Hayes Carll | G Major | 5 | 9B | 78 BPM | ||
| Growin' Pain | Peter Wolf | G Minor | 4 | 6A | 176 BPM |