"Dives and Lazarus" by The Purcell Singers had its release date on June 15, 1963. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 13 in English Folk Songs by The Purcell Singers. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Dives and Lazarus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dives and Lazarus by The Purcell Singers is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Üks roosike on tõusnud | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 1 | 9B | 100 BPM | ||
| Wake, Awake, for Night Is Flying | The Concordia Choir, René Clausen | C Major | 2 | 8B | 83 BPM | ||
| The Shepherd's Carol | Bob Chilcott, Utah State University Chamber Singers, Cory Evans | D Major | 0 | 10B | 110 BPM | ||
| Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | ||
| Shenandoah (Arr. J. Erb for Mixed Chorus) | Anonymous, The Purcell Singers, Mark Ford | A♭ Minor | 1 | 1A | 130 BPM | ||
| Who Is He in Yonder Stall? | Robert H. Young, University of Northern Iowa Concert Chorale, Jenna Klein, John Len Wiles | G Major | 0 | 9B | 121 BPM | ||
| 3 Motetten für gemischten Chor, Op. 52: Das ist ein köstliches Ding | Georg Schumann, The Purcell Singers, Mark Ford | F Major | 1 | 7B | 104 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IIa. Gloria in excelsis Deo | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D♭ Minor | 0 | 12A | 108 BPM | ||
| Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | ||
| Out of This Darkness: No. 5, Out of This Darkness | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | D Major | 2 | 10B | 134 BPM | ||
| So Breaks the Sun | Quava Vocal Group, Sabelo Mthembu | D Major | 4 | 10B | 126 BPM | ||
| Iwa rere mo n toro fun yin | Celestial Symphony Orchestra | E♭ Major | 3 | 5B | 105 BPM | ||
| Christus Natus Est | Margaret Rizza, Kevin Mayhew Ltd | E Minor | 2 | 9A | 142 BPM | ||
| Requiem for the Living: III. Agnus Dei | Providence Singers, Christine Noel | B♭ Minor | 0 | 3A | 95 BPM | ||
| Agnus Dei (from Lux Aeterna) [feat. Donald Funk] | Morten Lauridsen, Voce, Donald Funk | D Major | 0 | 10B | 133 BPM | ||
| Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | C Minor | 2 | 5A | 34 BPM | ||
| Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D♭ Major | 3 | 3B | 138 BPM | ||
| Otcenáš (Our Father), JW IV/29: Bud vule tvá (Thy will be done) (Revised 1906) | Leoš Janáček, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Johannes Wik, Karstein Askeland, Gábor Bretz, Thomas Trotter, Bergen Philharmonic Choir | F Major | 1 | 7B | 80 BPM | ||
| Schöne Fremde | Fanny Mendelssohn, Kammerchor der Universität Dortmund, Willi Gundlach | E Major | 1 | 12B | 113 BPM | ||
| Good Christians All Rejoice and Sing | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Prepare The Way (feat. Cantus Vocum Chamber Choir) | Cantus Vocum Chamber Choir | G Major | 1 | 9B | 66 BPM | ||
| Cró na Nollag | Adhamhnán Mac Domhnaill, Desmond Earley, Kiri O’Neill, Emily Doyle, The Choral Scholars of University College Dublin | E♭ Minor | 0 | 2A | 137 BPM | ||
| Adoramus Te, Panem Caelitum | Traditional Song, The Carmelite Sisters of the Most Sacred Heart of Los Angeles | D Major | 2 | 10B | 84 BPM |