Steven Feifke's ' "Celia" was released on its scheduled release date, April 15, 2022. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. There are a total of 8 in the song's album "The Role of the Rhythm Section". In this album, this song's track order is #6. In terms of popularity, Celia is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Celia by Steven Feifke having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Second Wind | Steven Feifke, Andrew Gould, Alex Wintz, Jimmy Macbride | D♭ Minor | 7 | 12A | 111 BPM | ||
| Warm Sway | Indigo Orchestra | F Minor | 4 | 4A | 114 BPM | ||
| Ground Up | Chris Richardson Trio | A Minor | 3 | 8A | 107 BPM | ||
| Wichita Lineman | Lisa Bassenge | A Major | 3 | 11B | 91 BPM | ||
| Four Minute Mile | Anthony D'Alessandro | C Major | 4 | 8B | 135 BPM | ||
| Emotion in Motion | Peter Martin | D♭ Major | 4 | 3B | 129 BPM | ||
| Song For Bilbao | Michael Brecker | F Major | 6 | 7B | 92 BPM | ||
| Swingin' Up in Harlem | Lafayette Harris, Jr. | G Major | 3 | 9B | 101 BPM | ||
| The Break | Emil Kofod | B♭ Major | 2 | 6B | 206 BPM | ||
| Minor Shift | Harry Allen | A Major | 3 | 11B | 91 BPM | ||
| Right On | Francesca Tandoi, Matheus Nicolaiewsky, Sander Smeets | F Major | 5 | 7B | 140 BPM | ||
| Industrial Parade | Deejay NeuStreet | B Minor | 5 | 10A | 164 BPM | ||
| Snow Dance | Max Marsillo | B Major | 3 | 1B | 108 BPM | ||
| What Should Have Been... | One O'Clock Lab Band | A Major | 4 | 11B | 107 BPM | ||
| Overcooked | Sam Dillon, Andrew Gould | E♭ Major | 6 | 5B | 104 BPM | ||
| Dealin' | Kai Craig, Sean Payne, James Copus, Rainer Böhm, Géraud Portal | F♯ Major | 5 | 2B | 111 BPM | ||
| When the Silence Starts Dancing Away | Yeny Kim | C Major | 3 | 8B | 103 BPM | ||
| The Oracle | Kenny Barron & Dave Holland | G Minor | 1 | 6A | 93 BPM | ||
| Blue Balloon | WDR Big Band | G Major | 2 | 9B | 93 BPM | ||
| Hutcheonite | Taylor Eigsti | A Minor | 7 | 8A | 119 BPM | ||
| Breaking Cycles | Alexa Tarantino, Steven Feifke, Joe Martin, Rudy Royston | D♭ Major | 4 | 3B | 96 BPM | ||
| Lunch at Row on 5 | Yurik Lee | B♭ Major | 3 | 6B | 170 BPM | ||
| Pink Sunset | Elliot Deutsch, Bob McChesney | F Minor | 4 | 4A | 133 BPM | ||
| Glass Partition | ZENIXT | D♭ Minor | 1 | 12A | 108 BPM | ||
| Fulfillment | Orión Natera | D Major | 5 | 10B | 135 BPM |