"Hymnen, Op. 140: II. Dextera Domini" by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius had its release date on February 1, 1989. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Hymnen, Op. 140: II. Dextera Domini's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius's "Josef Gabriel Rheinberger: Cantus Missae. Musica sacra II" album is number 10 out of 14. On top of that, Germany appears to be the country where this track was created. Hymnen, Op. 140: II. Dextera Domini is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hymnen, Op. 140: II. Dextera Domini by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | ||
| Hymen I | Magalí Sare, Cor Bruckner Barcelona | E♭ Major | 2 | 5B | 132 BPM | ||
| Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Mundy: Vox Patris Caelestis - 6. Veni Ad Me, Dilectissimum | The Tallis Scholars, Peter Phillips | A♭ Major | 2 | 4B | 92 BPM | ||
| Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": IV. A tempo moderato. "Sagt es, die ihr erlöst seid" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | C Major | 0 | 8B | 86 BPM | ||
| Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
| Requiem in C Minor: I. Introitus & Kyrie | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | F Major | 0 | 7B | 74 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| Psalm 137, 'By the waters of Babylon we sat down and wept' | Charles Harford Lloyd, The Choir Of Westminster Abbey, Martin Neary | A♭ Minor | 1 | 1A | 82 BPM | ||
| Mass in D Major, Op. 86 / Credo: IIIb. Et incarnatus est | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| Tallis: O Lord, in Thee Is All My Trust | The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 75 BPM | ||
| The Crystal Sea of Mercy SHZ 196 | Laestadian Lutheran Church, Liisa Keranen | B♭ Minor | 1 | 3A | 169 BPM | ||
| Palestrina: Missa Papae Marcelli - 2g. Cum Sancto Spiritu | The Tallis Scholars, Peter Phillips | B Major | 3 | 1B | 0 BPM | ||
| O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
| Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
| Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
| Praeter rerum seriem: II. Secunda pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| Morgensang | Niels Wilhelm Gade, Danish National Symphony Choir, Jesper Grove Jørgensen | G Major | 0 | 9B | 132 BPM | ||
| Miserere mei Deus | William Byrd, Contrapunctus, Owen Rees | E Minor | 1 | 9A | 76 BPM | ||
| Kirchenmusik, Op. 23: I. Aus tiefer Not schrei ich zu Dir | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | B Major | 1 | 1B | 65 BPM | ||
| Schaffe in mir, Gott, ein rein Herz, Op. 29, No. 2 | Johannes Brahms, Windsbacher Knabenchor, Martin Lehmann | G Major | 1 | 9B | 83 BPM | ||
| Missa Brevis 3 | Kórinn Himnasmiður, Dr. Bragi Þór Valsson, Þorkell Sigurbjörnsson, Bragi Thor Valsson | A♭ Minor | 2 | 1A | 76 BPM | ||
| Psalm 42, Op. 42: VII. Schlusschor " Was betrübst du dich meine Seele" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 102 BPM |