On March 28, 2025, the song "Frappé: The Can Can" was released by Trisha Wolf. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Pop and Classical Ballet Class: Paris". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Frappé: The Can Can's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Frappé: The Can Can by Trisha Wolf having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grand Battements: Yellow Submarine | Ian Howells Music | G Major | 1 | 9B | 128 BPM | ||
| Piano Quartet Op.47-3 (Adage4) | Miwa Hoshi | C Major | 3 | 8B | 102 BPM | ||
| Barre Adage: Medley | Ian Howells Music | G Minor | 0 | 6A | 109 BPM | ||
| Paquita: Female Variation: Moderato (Waltz 2) | Riccardo Drigo, 유연하 (Rebecca Y. Yoo) | B Major | 2 | 1B | 84 BPM | ||
| Grand Battement: Look at Me, I'm Sandra Dee (From "Grease") | Trisha Wolf | B♭ Major | 4 | 6B | 99 BPM | ||
| Battement Tendu jete 2 | F. Liszt, 이예정 | A♭ Minor | 2 | 1A | 111 BPM | ||
| Tendu jete | Sky Tan | G Minor | 3 | 6A | 203 BPM | ||
| Audtion - The Fools Who Dream (Grand Allegro) [Quick Tempo] | David Plumpton | F Major | 2 | 7B | 80 BPM | ||
| Waltz (vol. 3 center) | 최선경 | E♭ Major | 4 | 5B | 89 BPM | ||
| Classical Walks 3/4 | Richard Maddock | C Major | 2 | 8B | 176 BPM | ||
| Barre: Foot Warm-up 1 | Nolwenn Collet | E♭ Major | 2 | 5B | 109 BPM | ||
| Warm up - Musical "Cats" Memory | Ballet pianist Mia | C Major | 4 | 8B | 95 BPM | ||
| Warming up | 정아름 | A♭ Major | 1 | 4B | 95 BPM | ||
| Grand Allegros 2 - Jazz Suite No, 2 Waltz (Directed by Eunseok, Shin) | Dmitri Shostakovich, Ballet pianist Mia | B Major | 1 | 1B | 69 BPM | ||
| Into the Woods 2 (Jump: 6/8) | Lisa Harris | F Major | 1 | 7B | 134 BPM | ||
| Pas Échappée Pointe. Metre 2/4. | Vadim Proshich, MetodoVadim | A Major | 1 | 11B | 101 BPM | ||
| Floor Work: Hungry Crocodiles | Nolwenn Collet | F Major | 3 | 7B | 162 BPM | ||
| Rond De Jumbe a Terre, 8x8 | Elena Baliakhova | A Major | 2 | 11B | 97 BPM | ||
| Rond de jamb á terre in E-Major | Konstantin Mortensen | B Major | 1 | 1B | 137 BPM | ||
| Barre: Tendus (Slow) | Nolwenn Collet | A Major | 0 | 11B | 116 BPM | ||
| Slow Battement Tendu Dream a Little Dream | Matthew J Gregory | G Major | 2 | 9B | 96 BPM | ||
| Another Day of Sun (Tendus / Frappés) [Medium Tempo] | David Plumpton | E♭ Major | 2 | 5B | 168 BPM | ||
| バイデン マイタイム (Tendu3) | Miwa Hoshi | E♭ Major | 2 | 5B | 135 BPM | ||
| Battements tendus II (Y. S. Choi Op.1 No.1) | Youngsin Sarah Choi | C Major | 1 | 8B | 108 BPM | ||
| Plié 3/4: ¡Hola Casita! | Daniel Fifield | B Major | 2 | 1B | 120 BPM |