Irrelevant's 'Habeas Corpus' had a release date set for January 31, 2005. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 12 in Ascension by Irrelevant. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. The popularity of Habeas Corpus is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Habeas Corpus by Irrelevant is Vivace (lively and fast), since this song has a tempo of 160 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| We Were Here (39th And Glisan) | VERSE | E Minor | 10 | 9A | 98 BPM | ||
| Dress Rehearsal | Snapcase | G Major | 10 | 9B | 163 BPM | ||
| Youthful Expression | Mid Youth Crisis, One Inch Punch | E♭ Major | 9 | 5B | 87 BPM | ||
| In the Dying Light | Irrelevant | A Major | 9 | 11B | 160 BPM | ||
| Locked | Mid Youth Crisis, One Inch Punch | F♯ Minor | 9 | 11A | 171 BPM | ||
| Quicksand | Belvedere | A Major | 10 | 11B | 114 BPM | ||
| This Sadness Alone | Reach The Sky | F Major | 9 | 7B | 100 BPM | ||
| War's Not over, I've Just Found the Flag | Forus | G Minor | 10 | 6A | 125 BPM | ||
| You Won'T Pass | This Is A Standoff | D Major | 10 | 10B | 115 BPM | ||
| We Dance on the Ruins of the Stupid Stage | None More Black | D Major | 10 | 10B | 122 BPM | ||
| Mid Youth Crisis | Mid Youth Crisis | D Major | 10 | 10B | 179 BPM | ||
| Insomnia | Carpathian | E Minor | 10 | 9A | 92 BPM | ||
| Tear Down These Walls | VERSE | C Major | 9 | 8B | 94 BPM | ||
| Resolution | Killing The Dream | G Major | 10 | 9B | 93 BPM | ||
| Internal Eyes | Heartsounds | G Minor | 10 | 6A | 125 BPM | ||
| I Dance To Trance in Garbage Bag Pants | Daggermouth | A♭ Major | 10 | 4B | 116 BPM | ||
| Human Exports | The Decline | B♭ Minor | 10 | 3A | 195 BPM | ||
| Perigee | Hit The Switch | D♭ Major | 8 | 3B | 95 BPM | ||
| The Tension Between Stillness And Motion | Grade | D Major | 9 | 10B | 100 BPM | ||
| Louder Than Bombs | Time In Malta | A Major | 9 | 11B | 170 BPM | ||
| A Juxtaposition of Action and Reason | Belvedere | C Major | 10 | 8B | 165 BPM | ||
| Your Worst Mistake | Strung Out | G Minor | 10 | 6A | 94 BPM | ||
| Lassies Last Dance | Daggermouth | A♭ Major | 9 | 4B | 105 BPM | ||
| Good from Afar | Horsell Common | A Major | 10 | 11B | 176 BPM | ||
| Resignation | Pour Habit | B Major | 9 | 1B | 101 BPM |