"Piano Quintet: I. Moderato" by Alfred Schnittke, Lidia Kovalenko, Alexey Baev, Alexey Popov, Kirill Timofeev, Yuri Serov had its release date on April 5, 2011. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Schnittke: Works for Piano and Strings". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Piano Quintet: I. Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Quintet: I. Moderato by Alfred Schnittke, Lidia Kovalenko, Alexey Baev, Alexey Popov, Kirill Timofeev, Yuri Serov having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Snowstorm: VII. Wedding ceremony | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | E Minor | 0 | 9A | 88 BPM | ||
| Requiem: VI. Recordare | Alfred Schnittke, NDR Vokalensemble, Klaas Stok, Bernhard Fograscher, Fanis Gioles, Thomas Emanuel Cornelius, Eunsol Hong, Yang-Hung Huang | E Major | 1 | 12B | 78 BPM | ||
| Sonata tragica, Op. 39,5: Allegro risoluto | Nokolaj Metner, Severin von Eckardstein | C Minor | 0 | 5A | 70 BPM | ||
| Epigrammák (Epigrams): No. 1, Lento [arr. L. Lencses] | Zoltán Kodály, Lajos Lencsés, Budapest Strings | A♭ Major | 1 | 4B | 130 BPM | ||
| Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
| The Unanswered Question | Charles Ives, Royal Northern Sinfonia, James Sinclair | C Major | 0 | 8B | 63 BPM | ||
| I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
| Romance in G Minor | Sergei Rachmaninoff, Quatuor Alfama | B♭ Major | 0 | 6B | 90 BPM | ||
| Langsamer Satz (Arr. G. Schwarz for string orchestra) | Anton Webern, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 3 | 7B | 143 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | A Major | 2 | 11B | 142 BPM | ||
| Requiem: 13. Credo | Alfred Schnittke, Московский государственный академический камерный хор, Timofei Golberg, Alexei Zavolokin, Sergei Sokuler, Konstantin Limantsev, Anton Sumenkov, Marianna Vysotskaya, Anna Styazhkina, Elena Ilyina, Percussion ensemble of the Moscow Philharmonic Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
| DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
| The Snowstorm: IV. Romance | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | B Minor | 1 | 10A | 70 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
| Waltz (Face of Another) | Toru Takemitsu, Yuri Bashmet | F Minor | 1 | 4A | 71 BPM | ||
| Das Rheingold: Vorspiel | Richard Wagner, Frankfurter Opern- und Museumsorchester, Sebastian Weigle | D Major | 0 | 10B | 179 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| 7 Papillons: No. 5, — | Kaija Saariaho, Anssi Karttunen | D Major | 2 | 10B | 61 BPM | ||
| Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | ||
| Aladdin, Op. 34, FS 89, CNW 17, Act III: Oriental Festival March | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir, Danish National Radio Symphony Orchestra | A Minor | 0 | 8A | 165 BPM | ||
| Bwv 639: Choral Ich Ruf Zu Dir, Herr Jesu Christ | Ton Koopman | F♯ Minor | 0 | 11A | 62 BPM | ||
| Cantus arcticus, Op. 61 (Concerto for Birds and Orchestra): III. Swans migrating | Einojuhani Rautavaara, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 2 | 11B | 142 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
| The Census List Incidental Music, "Gogol Suite": II. Chichikov's Childhood | Alfred Schnittke, Malmö Symphony Orchestra, Lev Markiz | G Major | 0 | 9B | 137 BPM |