Reductio's 'Nearer, My God, To Thee' had a release date set for September 13, 2024. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Greatest Hymns Ever". In this album, this song's track order is #3. Nearer, My God, To Thee is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nearer, My God, To Thee by Reductio having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nexus | Spearfisher, Brianna Tam | D Minor | 1 | 7A | 98 BPM | ||
| Edward Scissorhands Theme | The City of Prague Philharmonic Orchestra, Paul Bateman, Crouch End Festival Chorus | D Major | 7 | 10B | 102 BPM | ||
| Anima | Luka Sulic, Czech Studio Orchestra | B Minor | 2 | 10A | 129 BPM | ||
| Can you feel the love tonight | Martijn Koetsier | B♭ Major | 2 | 6B | 67 BPM | ||
| I Like It Like That | 3than, Reductio | C Major | 9 | 8B | 126 BPM | ||
| Silver Linings | Hendyamps Studios, Aimee Norris | F Major | 2 | 7B | 78 BPM | ||
| The Prodigy | Jeff Heim | G Minor | 3 | 6A | 91 BPM | ||
| Fortanach | Sebastian Plano | D Minor | 4 | 7A | 80 BPM | ||
| No. 27, Fanfare | Jacques-Nicolas Lemmens, Gerard Brooks | D Major | 2 | 10B | 92 BPM | ||
| spes | Matthew Walters, Reductio | B Minor | 2 | 10A | 74 BPM | ||
| Requiem Mozart Remix | Direct To Dreams | D Minor | 4 | 7A | 120 BPM | ||
| Intrepid | Brianna Tam | D Minor | 2 | 7A | 120 BPM | ||
| In All Seriousness | Howard Harper-Barnes | F Minor | 6 | 4A | 180 BPM | ||
| Abendlied | Les Occasionnels | F Major | 1 | 7B | 76 BPM | ||
| I. Introduction - Choral | Léon Boëllmann, Gerard Brooks | D Major | 2 | 10B | 92 BPM | ||
| Tombeau de Vivaldi | Spearfisher, Cicely Parnas | E♭ Major | 3 | 5B | 105 BPM | ||
| Narcotic | Constanze Hochwartner | A Minor | 0 | 8A | 67 BPM | ||
| Requiem: Pie Jesu | Andrew Lloyd Webber, Wilten Boys' Choir, Johannes Stecher | F♯ Minor | 2 | 11A | 85 BPM | ||
| Potamoi | Keith Merrill | B♭ Major | 2 | 6B | 82 BPM | ||
| Obscura | Power-Haus, Christian Reindl, Lucie Paradis | D♭ Major | 5 | 3B | 93 BPM | ||
| The Final Reckoning | Matthew Walters, Reductio | B Minor | 2 | 10A | 74 BPM | ||
| Life in Pieces | Howard Harper-Barnes | C Major | 2 | 8B | 150 BPM | ||
| Agincourt | David John Hicken, David Hicken | D Minor | 1 | 7A | 76 BPM | ||
| The Battle from "The Chronicles of Narnia" | Ashton Gleckman | D♭ Major | 5 | 3B | 125 BPM | ||
| The Ball | Asaf Avidan | F Minor | 2 | 4A | 122 BPM |