"Follow Me Into The House" by David Sardy had its release date on January 1, 2012. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 12 in End Of Watch (Original Motion Picture Soundtrack) by Various Artists. The popularity of Follow Me Into The House is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Follow Me Into The House by David Sardy is Presto (very, very fast), since this song has a tempo of 198 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| History of Artemisia | Junkie XL | F Major | 9 | 7B | 80 BPM | ||
| Look Who's Stalking | Michael Giacchino, Tim Simonec, Hollywood Studio Symphony Orchestra | D♭ Major | 1 | 3B | 87 BPM | ||
| Dudas | Verdes Atardeceres | C Minor | 3 | 5A | 70 BPM | ||
| Muse | The Newton Brothers | A♭ Major | 2 | 4B | 83 BPM | ||
| Hell's Kitchen | Graeme Revell | C Minor | 2 | 5A | 151 BPM | ||
| End Of Days Main Title - Main Title | John Debney | D Minor | 2 | 7A | 77 BPM | ||
| Quest | Phase Drift | G Major | 8 | 9B | 84 BPM | ||
| Graven Image | Zack Hemsey | B♭ Minor | 3 | 3A | 96 BPM | ||
| Coalheart's Defiance | Luc St-Pierre | C Major | 5 | 8B | 128 BPM | ||
| Retaliation | Alain Johannes, Alessandro Cortini, Norm Block | C Major | 9 | 8B | 108 BPM | ||
| Earth 841 A.D. | Benjamin Wallfisch | F Minor | 3 | 4A | 108 BPM | ||
| New Headquarters | Charlie Clouser | E Minor | 4 | 9A | 140 BPM | ||
| Punch It! | Paul Haslinger | G Major | 10 | 9B | 200 BPM | ||
| Fear No Evil | The Newton Brothers | A Minor | 7 | 8A | 122 BPM | ||
| Modern Warfare II | Sarah Schachner | F Major | 5 | 7B | 155 BPM | ||
| D-Day | Christophe Beck | D♭ Major | 3 | 3B | 109 BPM | ||
| To Q Zone | Alexandre Desplat | A Minor | 1 | 8A | 88 BPM | ||
| Kronos Megalos - Remix | Javier Navarrete | F Minor | 5 | 4A | 152 BPM | ||
| Team Suspicion | The Newton Brothers | D Major | 4 | 10B | 102 BPM | ||
| Ascension of the Iron Skies | Adrian Valkor | C Major | 5 | 8B | 128 BPM | ||
| The Descent, Pt. 2 | David Julyan | D♭ Minor | 2 | 12A | 80 BPM | ||
| Zepp Nine | Charlie Clouser | C Major | 7 | 8B | 137 BPM | ||
| On the Road | David Sardy | B♭ Major | 2 | 6B | 180 BPM | ||
| Let The Girls Out | Ryan Amon | G Major | 2 | 9B | 170 BPM | ||
| Mercenaries - from "Crossfire: Good Conflict" | Danny Bensi and Saunder Jurriaans | D Major | 4 | 10B | 115 BPM |