Ravi Shankar's ' "Tilak Shyam" was released on its scheduled release date, January 1, 1996. This song appears to be safe for all ages as it is not explicit. The track order of this song in Ravi Shankar's "In Celebration Highlights" album is number 6 out of 8. Based on our statistics, Tilak Shyam's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Tilak Shyam by Ravi Shankar to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Journey to Sedna | Baluji Shrivastav | B♭ Minor | 2 | 3A | 121 BPM | ||
| Toronto (Canada) 1989 - Tintal | Zakir Hussain & Dudhadev Dasgupta | B Minor | 8 | 10A | 178 BPM | ||
| Vandanaa Trayee | Ravi Shankar | E Major | 5 | 12B | 86 BPM | ||
| Vilaiyada Idhu Neerama | U. Srinivas | G Major | 4 | 9B | 100 BPM | ||
| Sufi Bhakti | Debashish Bhattacharya | D Minor | 3 | 7A | 146 BPM | ||
| Meetings Along the Edge | Ravi Shankar, Philip Glass, Tim Baker, Barry Finclair, Mayuki Fukuhara, Regis Iandiorio, Karen Karlsud, Sergiu Schwartz, Masako Yanagita, Al Brown, Richard Sortomme, Seymour Barab, Beverly Laudrisen, Fred Zlotkin, Joe Carver, Theresa Norris, Jack Kripl, Jon Gibson, Richard Peck, Lenny Pickett, Peter Gordon, Ron Sell, Keith O'Quinn, Alan Raph, Gorden Gottleib, Jeanie Gagne, Michael Riesman, S. P. Balasubrahmanyam, Madras Choir, Madras, Ronu Majumdar, Shubho Shankar, Partha Sarathy, T. Srinivasan, Abhiman Kaushal | D♭ Major | 3 | 3B | 88 BPM | ||
| Tanpura in D# (Kaali Do) | East West Beats | N/A | N/A | N/A | 0 BPM | ||
| Agra (India) 1987 - Kharawa | Zakir Hussain & Hariprasad Chaurasia | C Major | 6 | 8B | 122 BPM | ||
| Sufis and Gypsies | Chinmaya Dunster | F♯ Minor | 6 | 11A | 154 BPM | ||
| Mishra Piloo (In Thumbri Style) | Ravi Shankar | A♭ Minor | 7 | 1A | 146 BPM | ||
| Bhimpalasi | Shruti Sadolikar | D♭ Major | 4 | 3B | 177 BPM | ||
| Tanpura Drone in D (Bordone in RE) | Bagno Armonico | G Major | 0 | 9B | 203 BPM | ||
| Raga Sindhi Bhairavi: Dadra Tal (6 beats) | Ali Akbar Khan, L. Subramaniam, Zakir Hussain, Ramnad Raghavan | C Minor | 0 | 5A | 138 BPM | ||
| Mandala Offering | The Gyuto Monks Tantric Choir | F Major | 2 | 7B | 169 BPM | ||
| Nivedan | Debashish Bhattacharya | G Major | 2 | 9B | 128 BPM | ||
| The War | The Mahabharata | B♭ Major | 3 | 6B | 88 BPM | ||
| Kalandar | Shye Ben Tzur, Jonny Greenwood, The Rajasthan Express | B Major | 9 | 1B | 87 BPM | ||
| Open | Alam Khan | C Major | 1 | 8B | 80 BPM | ||
| Bhimpalasri Alap | Nikhil Banerjee | C Major | 0 | 8B | 106 BPM | ||
| Vaishnava Janaiho | A.R. Rahman, Ajay Chakraborthy, Kaushiki Chakraborty | F♯ Major | 3 | 2B | 70 BPM | ||
| Alhaiya Bilaval | Shruti Sadolikar | D♭ Major | 4 | 3B | 150 BPM | ||
| Batu Nrutya | Ensemble traditionnel de l'Orissa | D Major | 6 | 10B | 97 BPM | ||
| Dádrá | Ravi Shankar | F Minor | 6 | 4A | 128 BPM | ||
| Raga Aberi Track 02 | L. Shankar | A♭ Major | 5 | 4B | 83 BPM | ||
| Lost Innocence | Bickram Ghosh | F♯ Major | 4 | 2B | 135 BPM |