"Verdi: Otello: Atto Primo: Già nella notte densa" by Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia had its release date on June 12, 2020. This song appears to be safe for all ages as it is not explicit. This song is part of Verdi: Otello by Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia. The song's track number on the album is #9 out of 48 tracks. Based on our data, United States was the country where this track was produced or recorded. Verdi: Otello: Atto Primo: Già nella notte densa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Otello: Atto Primo: Già nella notte densa by Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Otello: Atto Primo: Già nella notte densa being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rigoletto, Act IV: Bella figlia dell'amore | Giuseppe Verdi, Ettore Bastianini, Alfredo Kraus, Renata Scotto, Fiorenza Cossotto, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | D♭ Major | 2 | 3B | 105 BPM | ||
| La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | E Major | 2 | 12B | 138 BPM | ||
| Requiem | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | A Major | 1 | 11B | 83 BPM | ||
| La Traviata: Act I: Sempre libera | Giuseppe Verdi, Fernando Previtali, Anna Moffo, Rome Opera Orchestra | A♭ Major | 1 | 4B | 178 BPM | ||
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | A♭ Major | 1 | 4B | 136 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Carmen, Act II: Chanson bohème. Les tringles des sistres tintaient | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 106 BPM | ||
| Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
| Delibes: Lakmé, Act 1: Duo des fleurs. "Viens, Mallika" (Lakmé, Mallika) | Léo Delibes, Sabine Devieilhe, Marianne Crebassa, Les Siècles, François-Xavier Roth | B Major | 1 | 1B | 125 BPM | ||
| Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | ||
| Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
| Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | E Major | 1 | 12B | 101 BPM | ||
| Verdi: Rigoletto, Act III: "La donna è mobile" | Giuseppe Verdi, Giuseppe Di Stefano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | B Major | 1 | 1B | 111 BPM | ||
| Lakmé / Act 1: Viens, Mallika, ... Dôme épais | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
| Bizet: Carmen, WD 31, Act 1: Air et Chœur. "L'amour est enfant de bohème" (Carmen, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Les Éléments, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | ||
| J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | D♭ Major | 2 | 3B | 128 BPM | ||
| Mozart: Don Giovanni, K. 527, Act 2 Scene 15: "Don Giovanni, a cenar teco … Da qual tremore insolito" (Il Commendatore, Don Giovanni, Chorus, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 2 | 6B | 75 BPM | ||
| Die Zauberflöte, K. 620, Act II: No. 14, Der Hölle Rache "Queen of the Night Aria" | Wolfgang Amadeus Mozart, Erika Miklósa, Mahler Chamber Orchestra, Claudio Abbado | F Major | 1 | 7B | 71 BPM | ||
| Requiem: IIa. Dies irae | Giuseppe Verdi, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | C Minor | 4 | 5A | 77 BPM | ||
| Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
| Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM |