"Rorem : Clouds" by Ned Rorem, Susan Graham, Ensemble Oriol had its release date on February 18, 2000. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Rorem : Clouds's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Rorem : 32 Songs". In this album, this song's track order is #2. The popularity of Rorem : Clouds is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rorem : Clouds by Ned Rorem, Susan Graham, Ensemble Oriol having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Entreveo | Daniel Ariño, Mercedes Gancedo | B Major | 1 | 1B | 73 BPM | ||
| Les chansons des roses: V. Dirait-on | Morten Lauridsen, Polyphony, Stephen Layton | D♭ Major | 0 | 3B | 132 BPM | ||
| 4 Lieder, Op. 27: IV. Morgen! | Richard Strauss, James Ehnes, Andrew Armstrong | G Major | 0 | 9B | 80 BPM | ||
| Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM | ||
| Air à danser, Op. 164 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| 4 Lieder, Op. 27: No. 4, Morgen! | Richard Strauss, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 102 BPM | ||
| Irmelin Prelude | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | F♯ Major | 0 | 2B | 96 BPM | ||
| 7 Anniversaries: I. For Aaron Copland | Leonard Bernstein, Michele Tozzetti | C Major | 0 | 8B | 87 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| 10 Preludes, Op. 23: No. 6 in E-Flat Major. Andante | Sergei Rachmaninoff, Boris Giltburg | A♭ Major | 0 | 4B | 68 BPM | ||
| Concerto for English Horn and Orchestra: III. Recurring Dream | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 0 | 9B | 81 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48 (Arr. for Piano by Peter Breiner): I. Pezzo in forma di sonatina. Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| Chansons pour les oiseaux: No. 2, Le petit pigeon bleu | Louis Beydts, Julie Roset, Susan Manoff | A♭ Major | 0 | 4B | 71 BPM | ||
| Requiem, Op. 9: Agnus Dei | Maurice Duruflé, Ivan Repušić, Munich Radio Orchestra, Bavarian Radio Chorus | F Major | 1 | 7B | 114 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| The First Child: When you find the right person | Donnacha Dennehy, Irish National Opera, Ryan McAdams, Niamh O'Sullivan | A♭ Major | 0 | 4B | 71 BPM | ||
| Música callada I: No. 3, Placide | Federico Mompou, Stephen Hough | E Minor | 1 | 9A | 132 BPM | ||
| Neuf mélodies retrouvées: No. 5, Naïs | Reynaldo Hahn, Julie Roset, Susan Manoff | A♭ Major | 0 | 4B | 71 BPM | ||
| Mercy and Truth Are Met | Ned Rorem, Katherine Glinka, Todd King, University Singers, Yuri McCoy, Brady Knapp | G Major | 1 | 9B | 61 BPM | ||
| Liszt: Années de pèlerinage, Première année "Suisse", S. 160: No. 2, Au lac de Wallenstadt | Franz Liszt, György Cziffra | A♭ Major | 0 | 4B | 136 BPM | ||
| Roussel: Bacchus et Ariane, Suite No. 2, Op. 43: Prélude. Ariane dort (Andante) | Albert Roussel, Georges Prêtre, Orchestre National De France | F Major | 0 | 7B | 90 BPM | ||
| Le poème de l'extase, Op. 54: I. Andante. Languido – Lento. Soavamente – Allegro volando – Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | G Major | 1 | 9B | 99 BPM | ||
| Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM |