"Tu m'uccidi, o crudele (Arr. R, Hekkema for Reed Quintet)" by Carlo Gesualdo, Calefax Reed Quintet had its release date on April 1, 2018. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Tu m'uccidi, o crudele (Arr. R, Hekkema for Reed Quintet)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Calefax Reed Quintet's "Hidden Gems" album is number 6 out of 18. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Tu m'uccidi, o crudele (Arr. R, Hekkema for Reed Quintet) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tu m'uccidi, o crudele (Arr. R, Hekkema for Reed Quintet) by Carlo Gesualdo, Calefax Reed Quintet to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
| Es erhub sich ein Streit | Johann Christoph Bach, Vox Luminis, Lionel Meunier | C Major | 3 | 8B | 104 BPM | ||
| Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
| Josquin: Praeter Rerum Seriem - 2. Virtus Sancti Spiritus Opus | The Tallis Scholars, Peter Phillips | D Minor | 1 | 7A | 108 BPM | ||
| Music, the Master of thy Art is Dead | William Lawes, Robin Pharo, Ensemble Près de votre oreille | D Major | 1 | 10B | 74 BPM | ||
| Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
| Mouton: Salva Nos, Domine | The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 73 BPM | ||
| Messe vidi turbam magnam: No. 3, Gloria | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 100 BPM | ||
| Herre, nun lässt deinen Diener in Frieden fahren | Michael Preatorius, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 79 BPM | ||
| O Little Rose, O Dark Rose | Gerda Blok-Wilson, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
| Asperges me | Francisco Garro, Cupertinos, Luís Toscano | C Major | 1 | 8B | 63 BPM | ||
| Couperin, L: Chaconne, G. 55 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Major | 1 | 8B | 101 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| Requiem (Missa pro defunctis) a 2-4: Graduale: Si ambulem | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | D Minor | 1 | 7A | 132 BPM | ||
| Quam pulchra es / Secunda pars: Gutur tuum à 5 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | A Minor | 1 | 8A | 79 BPM | ||
| Heu me, Domine | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
| Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | ||
| Madrigali Erotici E Spirituali: Sfogava Con Le Stelle | Consort Of Musicke, Mary Nichols, Gabriele Micheli, Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Evelyn Tubb, Andrew King, Simon Grant | A Minor | 1 | 8A | 130 BPM | ||
| Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 72 BPM | ||
| Credo, JD 17: Credo (da gaudiorum premia), JD 17 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | ||
| Ich weiss, dass mein Erlöser lebet | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 0 | 9B | 123 BPM | ||
| Requiem (Missa pro defunctis) a 2-4: Tractus: Sicut cervus | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | C Major | 0 | 8B | 62 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | E♭ Minor | 1 | 2A | 86 BPM | ||
| Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | G Minor | 0 | 6A | 74 BPM | ||
| Care charminge sleepe | Robert Johnson, Ruby Hughes, Jonas Nordberg | C Major | 1 | 8B | 63 BPM |