- BPM
- 127
- Key
- C Minor
- Camelot
- 5A
Fly Robin Fly - Sped up + Reverb by sped up and slowed down, Silver Convention Song Details
sped up and slowed down, Silver Convention's ' "Fly Robin Fly - Sped up + Reverb" was released on its scheduled release date, January 1, 1975. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 3 in Fly Robin Fly (Slowed + Sped up + Reverb) by sped up and slowed down, Silver Convention. Based on our statistics, Fly Robin Fly - Sped up + Reverb's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
BPM and Tempo
The tempo marking of Fly Robin Fly - Sped up + Reverb by sped up and slowed down, Silver Convention is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -12.321 dB
- Acousticness
- 2%
- Danceability
- 76%
- Energy
- 76%
- Instrumentalness
- 92%
- Liveness
- 7%
- Loudness
- 79%
- Speechiness
- 5%
- Valence
- 65%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Lark | Mikhail Glinka, Evgeny Kissin | B♭ Minor | 0 | 3A | 96 BPM | |
 | Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | |
 | Poulenc: Mélancolie, FP 105 | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 71 BPM | |
 | Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | |
 | 3 Gymnopédies: I. Lent et douloureux | Erik Satie, Frank Glazer | G Major | 0 | 9B | 83 BPM | |
 | Consolations, S172/R12: No. 3. Lento placido | Franz Liszt, Philip Thomson | D♭ Major | 0 | 3B | 93 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | 6 Melodies, Op. 4: No. 2, Melodie in C-Sharp Minor | Fanny Mendelssohn, Betty Ann Miller | D♭ Minor | 0 | 12A | 95 BPM | |
 | Rachmaninov: Prelude No. 1 in C-Sharp Minor, Op. 3 No. 2 "The Bells of Moscow" | Sergei Rachmaninoff, Simon Trpčeski | D♭ Minor | 0 | 12A | 85 BPM | |
 | String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | |
 | Debussy: Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Aldo Ciccolini | F♯ Minor | 1 | 11A | 131 BPM | |
 | I Never Had The One I Wanted - Sped up + Reverb | Claude Gray, sped up and slowed down | G Major | 7 | 9B | 139 BPM | |
 | Images I, CD 105: I. Reflets dans l'eau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 67 BPM | |
 | Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | |
| Consolations, S172/R12: No. 1. Andante con moto | Franz Liszt, Philip Thomson | E Major | 0 | 12B | 73 BPM | |
 | Erik Satie: Gymnopédie No. 1 | Pyotr Godunov | G Major | 1 | 9B | 69 BPM | |
 | Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | |
 | 10 Preludes, Op. 23: No. 5 in G Minor. Alla marcia | Sergei Rachmaninoff, Peter Katin | G Minor | 3 | 6A | 105 BPM | |
 | Prelude | William Alwyn, Ashley Wass | G Minor | 0 | 6A | 169 BPM | |
 | Suite française d'après Claude Gervaise, FP 80b: V. Bransle de Champagne | Francis Poulenc | G Minor | 0 | 6A | 75 BPM | |
 | Joe - Slowed + Reverb | sped up and slowed down, Hyla Parker | D Major | 5 | 10B | 139 BPM | |
 | Piazzolla: Oblivion | Julian Lloyd Webber, John Lenehan | D Minor | 0 | 7A | 81 BPM | |
 | Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | |
 | XIII. Le cygne (Transcr. L. Godowsky for Piano) | Camille Saint-Saëns, Leopold Godowsky, Konstantin Scherbakov | F♯ Major | 0 | 2B | 72 BPM | |
 | Walzer No. 1 for Piano in E-Flat Major, Op. 18 | Peter Schmalfuss | A♭ Major | 1 | 4B | 134 BPM |
- ISRC
- QZP7F2408491
- Label
- L-M Records/RCA Records